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Nicholas Penny

Director of the National Gallery, London

Books

Anthony Radcliffe and Nicholas Penny
Art of the Renaissance bronze, 1500-1650
London, 2004


David Jaffe (ed.)
Titian, Essays
London, 2003


Patricia Lee Rubin and Alison Wright ; with contributions by Nicholas Penny
Renaissance Florence, the art of the 1470s
London, 1999


Jill Dunkerton, Susan Foister, and Nicholas Penny
Dürer to Veronese, Sixteenth-century paintings in the National Gallery
New Haven, Conn.; London, 1999



Articles

Nicholas Penny, Editorial, A visit to Rotterdam, in Burlington Magazine, 154, 2012 pp. 83-86

Nicholas Penny, Director's Foreword, in Luke Syson with Larry Keith, Leonardo da Vinci, London, 2011, pp 9

Elena Greer and Nicholas Penny, Giorgione and the National Gallery, in Burlington Magazine, 152, 2010 pp. 364-375

Nicholas Penny and Karen Serres, Duveen's Franch frames for British pictures, in Burlington Magazine, 151, 2009 pp. 388-394

Nicholas Penny, Director's Foreword, in Lorne Campbell, Miguel Falomir, Jennifer Fletcher and Luke Syson, Renaissance faces, London; New Haven, Conn., 2008, pp 10-11

Nicholas Penny, Mantegna exhibitions in Italy, in Burlington Magazine, 149, 2007 pp. 32-35

Nicholas Penny and Karen Serres, Duveen and the decorators, in Burlington Magazine, 149, 2007 pp. 400-406

Caroline Elam, Nicholas Penny, Obituary, John Shearman (1931-2003), in Burlington Magazine, 146, 2004 pp. 264-265

Nicholas Penny, Raphael and the Early Victorians, in Hugo Chapman, Tom Henry, and Carol Plazzotta, Raphael, London, 2004, pp 294-303

Oliver Bradbury and Nicholas Penny, The picture collecting of Lord Northwick: Part I, in Burlington Magazine, 144, 2002 pp. 485-496

Oliver Bradbury and Nicholas Penny, The picture collecting of Lord Northwick: Part II, in Burlington Magazine, 144, 2002 pp. 606-617

Nicholas Penny, John Fleming (1919-2001), in Burlington Magazine, 143, 2001 pp. 694-695

Nicholas Penny, Absent Architecture in Sixteenth-Century Altarpieces, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 275-279

Nicholas Penny, Francis Haskell (1928-2000), in Burlington Magazine, 142, 2000 pp. 307-308

Nicholas Penny, Frame Studies, in Burlington Magazine, 141, 1999 pp. 356

Nicholas Penny, The Study and Imitation of Old Picture-Frames, in Burlington Magazine, 140, 1998 pp. 375-382

Nicholas Penny, Lord Rockingham's Sculpture Collection and "The Judgment of Paris" by Nollekens, in The J. Paul Getty Museum Journal, 19, 1991 pp. 5-34

N.B. Penny, The Whig Cult of Fox in Early Nineteenth-Century Sculpture, in Past and Present, 70, 1976 pp. 94-105


Reviews and review articles

Nicholas Penny, Review: Bergamo, l'altra Venezia, in Burlington Magazine, 144, 2002 pp. 29-30

Nicholas Penny, Review Tintoretto: Tradition and Identity by Tom Nichols, in Burlington Magazine, 143, 2001 pp. 99

Nicholas Penny, Review Gesta Dipinte by Julian Kliemann, in Burlington Magazine, 140, 1998 pp. 38-39

Nicholas Penny, Review: Mrs Coade's Stone, in Burlington Magazine, 132, 1990 pp. 879-880

Nicholas Penny, Review: Lo Sculptore Filippo Tagliolini e la porcellana di Napoli, in Burlington Magazine, 132, 1990 pp. 880-881


Exhibition reviews

Nicholas Penny, European bronzes, New York, in Burlington Magazine, 146, 2004 pp. 845-846

Nicholas Penny, Milan, Neo-classicism in Italy, in Burlington Magazine, 144, 2002 pp. 454-456

Nicholas Penny, Paris. D'après l'Antique, in Burlington Magazine, 143, 2001 pp. 110-113

Nicholas Penny, Bassano and Barcelona. Venetian Paintings from the Hermitage, in Burlington Magazine, 143, 2001 pp. 720-722

Nicholas Penny, Ferrara, New York and Los Angeles. Dosso Dossi, in Burlington Magazine, 141, 1999 pp. 250-254

Nicholas Penny, London and Paris. Bronzes, in Burlington Magazine, 141, 1999 pp. 488-489

Nicholas Penny, Venice. Venetian Renaissance and the North, in Burlington Magazine, 141, 1999 pp. 768-772

Nicholas Penny, Picture Frames, London, in Burlington Magazine, 139, 1997 pp. 130-132  read online

Nicholas Penny, London, british Museum, Fakes?, in Burlington Magazine, 132, 1990 pp. 504-506


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