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Seymour Slive,
Frans Hals, London, 1970-72 |
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Ben Broos and Ariane van Suchtelen,
Portraits in the Mauritshuis, 1430-1790, The Hague; Zwolle, 2004 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
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Friso Lammertse and Jaap van der Veen,
Uylenburgh & Son, Zwolle, 2006 |
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Walter Liedtke, Michiel C. Plomp, and Axel Ruger,
Vermeer and the Delft School, New Haven, 2001 |
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Wayne Franits,
Dutch Seventeenth-Century Genre Painting, New Haven, 2004 |
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S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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W. Martin (ed.),
Gerard Dou, Stuttgart und Berlin, 1913 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Christopher White and Quentin Buvelot (eds.),
Rembrandt by himself, London, The Hague, 1999 |
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Walter Liedtke,
A view of Delft, Zwolle, 2000 |
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John Loughman & John Michael Montias,
Public and Private Spaces, Zwolle, 2000 |
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Christopher Brown,
Images of a Golden Past, New York, 1984 |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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H. Gerson,
Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts, Haarlem, 1942 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Albert Blankert et al.,
Dutch classicism in seventeenth-century painting, Rotterdam; Frankfurt; Rotterdam, 1999 |
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Werner Sumowski,
Drawings of the Rembrandt School, New York, 1979-1992 |
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Albert Blankert,
Ferdinand Bol (1616-1680), Doornspijk, 1982 |
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