| 9 | | Isabel Bader, Foreword
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| 10 | | David and Daniel Bader, Foreword
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| 12 | | Volker Manuth, Axel Rüger, Editors' Foreword and Acknowledgements
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| 18 | | Ronni Baer, A Dou for Boston
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| 26 | | Jonathan Bikker, Balthasar Coymans's Italian Paintings and Annibale Carracci's Melancholy
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| 34 | | Christopher Brown, Rembrandt in Oxford
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| 42 | | George S. Keyes, Reflections on Three Landscapes by Jacob van Ruisdael
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| 54 | | Rüdiger Klessmann, Adam Elsheimer - Bemerkungen zur Rezeption seiner Kunst im Norden
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| 72 | | Walter Liedtke, The Meaning of Rembrandt's Aristotle with a Bust of Homer
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| 88 | | Volker Manuth, Tobias, Anna und das Böckchen: Variationen über ein Thema aus dem Buch Tobias von Rembrandt und Gerbrand van den Eeckhout
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| 106 | | Gregory Martin, An Early Work by Willem van Herp
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| 114 | | David McTavish, A Newly Discovered Drawing by Jacques de Gheyn II
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| 126 | | Pierre de la Ruffinière du Prey, Temple of Jerusalem Etchings for the Bible by Wenceslaus Hollar
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| 138 | | William W. Robinson, Two Drawings by Jan Harmensz. Muller: A Tale of Two Floods?
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| 148 | | Axel Rüger, Ein Palastinterieur von Bartholomeus van Bassen - Beobachtungen zur Arbeitsmethode anhand der Unterzeichnung
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| 162 | | Jane Russell Corbett, Seeing Things: The Alchemist and Death by Thomas Wyck
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| 176 | | Seymour Slive, Jacob van Ruisdael's Clientele
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| 188 | | J. Douglas Stewart, Crossing the 'North-South Divide': The Young Lievens, Van Dyck, Rubens and Rembrandt; Connections and Influences
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| 203 | | Astrid Tümpel, Jerusalem, Du Schöne!
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| 209 | | Astrid Tümpel, Das Wesen der Dinge
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| 214 | | Christian Tümpel, Arent de Gelder's Religious Iconography
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| 232 | | Arthur K. Wheelock, Jr, The Framing of a Vermeer
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| 240 | | Clovis Whitfield, A Name for a Ridiculous Man
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| 248 | | Marjorie E. Wieseman, Paper Trails: Drawings in the Work of Caspar Netscher and his Studio
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| 262 | | David de Witt, The Scholar by Candlelight and Rembrandt's Early Transition
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| 278 | | Martha Wolff, Hebrew Kings and Antwerp Mannerists
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