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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Peter Hecht,
De Hollandse fijn schilders., Amsterdam-Maarssen/'s-Gravenhage, 1989 |
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Eduard Plietzsch,
Holländische und flämische Maler des XVII. Jahrh., Leipzig, 1960] |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Wayne Franits,
Dutch Seventeenth-Century Genre Painting, New Haven, 2004 |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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Marjorie E. Wieseman,
Caspar Netscher and late seventeenth-century Dutch painting, Doornspijk, 2002 |
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Adriaan van der Willigen and Fred G. Meijer,
A Dictionary of Dutch and Flemish Still-Life Painters Working in Oils, 1525-1725, Leiden, 2003 |
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Peter Marijnissen, Wim de Paus, Peter Schoon, George Schweitzer (redactie),
De Zichtbaere Werelt, Zwolle, 1992 |
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Ronni Baer,
Gerrit Dou, 1613-1675, Washington; New Haven and London, 2000 |
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Konrad Renger,
Lockere Gesellschaft, Berlin, 1970 |
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Peter C. Sutton (ed.),
Masters of 17th-century Dutch landscape painting, Boston, 1987 |
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Ernst Van de Wetering,
Rembrandt, Amsterdam, 1997 |
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Christopher White,
The Dutch Pictures in the Collection of Her Majesty The Queen, Cambridge, 1982 |
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Walter Liedtke, Michiel C. Plomp, and Axel Ruger,
Vermeer and the Delft School, New Haven, 2001 |
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F.W. Robinson,
Gabriel Metsu (1629-1667), New York, 1974 |
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W. Martin (ed.),
Gerard Dou, Stuttgart und Berlin, 1913 |
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