11 | | Cynthia P. Schneider, Preface
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13 | | The Editors, Acknowledgements
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17 | | , Publications by Seymour Slive
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25 | | Clifford S. Ackley, A Rediscovered Touched Proof of a Rembrandt Etching
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28 | | Ann Jensen Adams, Thomas de Keyser's Portrait of Six Gold- and Silversmiths of 1627: Friendship Portrait and Posthumous Tribute to Andries Fredericsz
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33 | | Svetlana Alpers, On Visiting the Dutch Galleries of the Grand Louvre
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36 | | Pieter Biesboer, Topographical Identifications for a Numer of "Haerlempjes" by Jacob van Ruisdael
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40 | | Albert Blankert and Louis P. Grijp, An Adjustable Leg and a Book: Lacemakers by Vermeer and Others, and Bredero's Groot Lied-boeck in One by Dou
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44 | | Hugh Brigstocke, Georges de La Tour's St. John the Baptist
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46 | | Christopher Brown, Leonaert Bramer in Italy
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49 | | Margaret D. Carroll, Dürer's Christ among the Doctors Re-examined
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55 | | Marjorie B. Cohn, Retroussage in Cranach's Penance of St. John Chrysostom
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59 | | James Cuno, The Fogg Art Museum and the Spoils of War
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64 | | Alice I. Davies, Additions of Paintings to Jan van Kessel (1641-1680)
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68 | | Frederik J. Duparc, A Recently Rediscovered Painting by Pieter van Laer
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71 | | Zirka Zaremba Filipczak, A New Studio Practice of Claesz and Heda: Composing with Real Objects
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74 | | Sydney J. Freedberg, Bernard Berenson: A Brief Biography
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78 | | Ivan Gaskell, A Seascape by Jacob van Ruisdael and its Nineteenth-Century Owners
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84 | | Teréz Gerszi, Contributions to Joos de Momper's Early Draftmanship
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87 | | Jeroen Giltaij, Further Additions to Jacob van Ruisdael
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89 | | Karin Groen, Halcyon Days for Art History
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92 | | Ann Sutherland Harris, Domenichino's Caccia di Diana: Art and Politics in Seicento Rome
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97 | | Egbert Haverkamp-Begemann, Jacob van Ruisdael's Interest in Construction
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100 | | Peter Hecht, Gerrit Dou's Braamcamp Triptych Reconsidered: A Skeptical View of its "Allegorical" Meaning
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103 | | Julius S. Held, Two Lost Drawings Formerly in Dresden
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105 | | Alison Hilton, Rembrandt, Rubens, and Repin
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110 | | Werner Hofmann, Tamino and Papageno Go to the Museum
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114 | | Frima Fox Hofrichter, A Telescope in Haarlem
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118 | | Michael Jaffé, An Early Mercury Painted by Rubens before his Trip to Italy
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120 | | Karl Johns, Magdalene at the Crossroads and Bernaert de Rijckere
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124 | | Frances Suzman Jowell, Thoré-Bürger and Vermeer: Critical and Commercial Fortunes
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128 | | J. Richard Judson, A New Honthorst Allegory: Can This be Love?
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130 | | Thomas Dacosta Kaufmann, Antiquarian Connoisseurship and Art History before Winckelmann: Some Evidence from Northern Europe
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133 | | Baruch Kirschenbaum, Piss and Light
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137 | | Rüdiger Klessmann, A Lost Painting by Rubens and its Meaning
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143 | | Joseph Leo Koerner, The Image in Quotations: Cranach's Portraits of Luther Preaching
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147 | | Susan Koslow, "How looked the Gorgon then...": The Science and Poetics of The Head of Medusa by Rubens and Snyders
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150 | | Susan Donahue Kuretsky, Rembrandt's Good Samaritan Etching: Reflections on a Disreputable Dog
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154 | | Walter Liedtke, Pentimenti in our Pictures of Salomon van Ruysdael and of Jan van Goyen
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158 | | Irina Linnik, An Oil Sketch by Juan de Valdés Leal for an Unknown Series of Paintings
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159 | | Anne-Marie S. Logan, Drawings by Jan Boeckhorst and Thomas Willeboirts Bosschaert
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164 | | Anne W. Lowenthal, Mr. Bryan's Dutch Landscapes
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168 | | Gregory Martin, Rubens and King James I
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171 | | Annaliese Mayer-Meintchel, Paintings by Rubens in the Guarienti Inventory (1747-50) and the Early History of the Dresden Picture Gallery
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175 | | Gridley McKim-Smith, Velázquez and Rubens: The Meaning of o Pigment, or a Date
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179 | | Thomas M. Messer, A Distant Echo from Holland's Golden Age?
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181 | | Justus Müller-Hofstede, Jan Miense Molenaer's Departure of the Prodigal Son: In Search of the Allegorical Form
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184 | | John Nash, The Face at the Window, or, The Viewer Viewed: Observations on a Central Theme in Rembrandt's Art
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187 | | H. Rodney Nevitt, Jr., The Herdsman, the Rowboat, the Beetle, and the Ant in Two Marriage Portraits by Gerrit Adriaensz de Heer
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191 | | Peter Nisbet, Displaying Design: A Newly Identified Exhibition Proposal by El Lissitzky, Berlin 1923
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194 | | Charles Parkhurst, A Viewpoint for Giotto's Life of Mary in the Arena Chapel
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198 | | Elizabeth Prelinger, When the Halted Traveler Hears the Scream in Nature: Preliminary Thoughts on the Transformation of Some Romantic Motifs
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204 | | Marta O. Renger, A Medieval Basis for Vasari's Libro
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207 | | Franklin W. Robinson, The Special Nature of Dutch Drawings
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209 | | William W. Robinson, A Drawing by Jan Muller in a Modest Collection
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211 | | Pierre Rosenberg, The Blind Man of the Quinze-Vingts by Chardin and the Young Girl with a Marmot by Fragonard at the Fogg
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216 | | Martin Royalton-Kisch, Rembrandt's Clock
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219 | | Vadim A. Sadkov, Newly Identified Paintings by Pieter van der Croos and Cornelis Beelt
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221 | | Peter Schatborn, A "New" Rembrandt Drawing
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224 | | Cynthia P. Schneider, Rembrandt Reversed: reflections on the Early Self-Portrait Etchings
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227 | | Linda Seidel, Foregrounding Background: Jan van Eyck's Mellon Annunciation
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232 | | Larry Silver, Kith and Kin: A Rediscovered Sacred Image by Massys
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237 | | David M. Stone, Economy versus Iconography: Guercino's St. Anthony of Padua Alterpiece for S. Giovanni in Persiceto and the Evidence of a Newly Discovered Drawing
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241 | | Peter C. Sutton, Rembrandt and Pieter de Grebber
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245 | | Irene and Pieter van Thiel, The Four Musketeers. An Attempt at Identification of the First Militia Piece by Cornelis Cornelisz van Haarlem
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249 | | Susan Urbach, "Sacra nos monet, docetque historia": An Unknown Susanna and the Elders by Willem Key
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254 | | John Walsh, A Resurrection of 1612 by Pieter Lastman
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257 | | Jeanne L. Wasserman, In Search of Diana
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260 | | Stuart Cary Welch, The Emperor's Shah: Emperor Jahangir's Two Portraits from Life of Shah 'Abbas
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264 | | Ernst van de Wetering, Rembrandt's Satire on Art Criticism Reconsidered
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271 | | Arthur K. Wheelock, The Story of Two Vermeer Forgeries
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276 | | Christopher White, Rubens's Painted Copy of the Cameo of Germanicus
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