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Walter L. Strauss and Marjon van der Meulen with the assistence of S.A.C. Dudok van Heel and P.J.M. de Baar,
The Rembrandt Documents, New York, 1979 |
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Dr. C. Hofstede de Groot,
Die Urkunden über Rembrandt (1575-1721), Den Haag, 1906 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Abraham Bredius,
The complete edition of the paintings [of] Rembrandt, London, 1969 |
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Otto Benesch, enlarged and edited by Eva Benesch,
The drawings of Rembrandt, London/New York, 1973 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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Kurt Bauch,
Rembrandts Gemälde, Berlin, 1966 |
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Cynthia P. Schneider with contributions by Boudewijn Bakker, Nancy Ash, and Shelly Fletcher,
Rembrandt's landscapes, Washington, 1990 |
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Christopher White,
Rembrandt as an etcher, University Park, 1969] |
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Seymour Slive,
Rembrandt and his critics, 1630-1730., Hague, 1953 |
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Albert Blankert,
Ferdinand Bol (1616-1680), Doornspijk, 1982 |
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B. P. J. Broos,
Index to the formal sources of Rembrandt's art, Maarssen, 1977 |
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Werner Sumowski,
Gemälde der Rembrandt-Schüler, Landau/Pfalz, 1983-1994 |
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Kenneth Clark,
Rembrandt and the Italian Renaissance, London, 1966 |
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Seymour Slive,
Frans Hals, London, 1970-72 |
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H. Gerson,
Rembrandt paintings, New York, 1968] |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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J.A. Emmens,
Rembrandt en de regels van de kunst, Utrecht, 1968 |
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Svetlana Alpers,
Rembrandt's Enterprise, London, 1988 |
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Karel van Mander (uitgegeven door Hessel Miedema),
Den grondt der edel vry schilder-const, Utrecht, 1973 |
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