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Konrad Renger,
Lockere Gesellschaft, Berlin, 1970 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Hessel Miedema,
Kunst, kunstenaar en kunstwerk bij Karel van Mander, Alphen aan de Rijn, 1981 |
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Seymour Slive,
Frans Hals, London, 1970-72 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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Peter C. Sutton (ed.),
Masters of 17th-century Dutch landscape painting, Boston, 1987 |
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Hessel Miedema,
De archiefbescheiden van het St. Lukasgilde te Haarlem, 1497-1798, Alphen aan den Rijn, 1980 |
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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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Eddy de Jongh,
Zinne- en minnebeelden in de schilderkunst van de zeventiende eeuw, s.l., 1967 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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John Michael Montias,
Artists and artisans in Delft, Princeton, N.J., 1982 |
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Peter C. Sutton,
Pieter de Hooch, Oxford, 1980 |
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Peter Hecht,
De Hollandse fijn schilders., Amsterdam-Maarssen/'s-Gravenhage, 1989 |
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Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
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Lawrence Otto Goedde,
Tempest and Shipwreck in Dutch and Flemish Art, University Park, 1989 |
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Ilja M. Veldman,
Maarten van Heemskerck and Dutch humanism in the sixteenth century, Amsterdam, 1977 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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Walter S. Melion,
Shaping the Netherlandish canon. Karel van Mander's Schilder-Boeck, Chicago, 1991 |
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