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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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Karel van Mander (uitgegeven door Hessel Miedema),
Den grondt der edel vry schilder-const, Utrecht, 1973 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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Peter Hecht,
De Hollandse fijn schilders., Amsterdam-Maarssen/'s-Gravenhage, 1989 |
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Cynthia P. Schneider with contributions by Boudewijn Bakker, Nancy Ash, and Shelly Fletcher,
Rembrandt's landscapes, Washington, 1990 |
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Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
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David R. Smith,
Masks of Wedlock, Ann Arbor, Michigan, 1982 |
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Walter A. Liedtke,
Flemish Paintings in the Metropolitan Museum of Art, New York NY, 1984 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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Lawrence Otto Goedde,
Tempest and Shipwreck in Dutch and Flemish Art, University Park, 1989 |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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H.U. Beck,
Jan van Goyen, 1596-1656, Amsterdam, 1972 |
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Albert Blankert,
Vermeer of Delft, New York, 1978 |
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J.A. Emmens,
Rembrandt en de regels van de kunst, Utrecht, 1968 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Christopher Brown,
Images of a Golden Past, New York, 1984 |
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Walter S. Melion,
Shaping the Netherlandish canon. Karel van Mander's Schilder-Boeck, Chicago, 1991 |
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Peter van den Brink,
Het gedroomde land, Zwolle-Utrecht, 1993 |
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B. Schnackenburg,
Adriaen van Ostade, Isack van Ostade, Hamburg, 1981 |
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