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Walter L. Strauss and Marjon van der Meulen with the assistence of S.A.C. Dudok van Heel and P.J.M. de Baar,
The Rembrandt Documents, New York, 1979 |
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J.A. Emmens,
Rembrandt en de regels van de kunst, Utrecht, 1968 |
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Dr. C. Hofstede de Groot,
Die Urkunden über Rembrandt (1575-1721), Den Haag, 1906 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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Kurt Bauch,
Rembrandts Gemälde, Berlin, 1966 |
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Svetlana Alpers,
Rembrandt's Enterprise, London, 1988 |
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B. P. J. Broos,
Index to the formal sources of Rembrandt's art, Maarssen, 1977 |
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inl. door E. de Jongh,
Tot lering en vermaak, Amsterdam, 1976 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Karel van Mander,
Het schilder-boeck, Utrecht, 1969 |
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Kenneth Clark,
Rembrandt and the Italian Renaissance, New York, 1968 |
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Erwin Panofsky,
Early Netherlandish painting, Cambridge, MA, 1953 |
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William H. Halewood,
Six subjects of reformation art, Toronto; Buffalo, 1982 |
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Ellen S. Jacobowitz, Stephanie Loeb Stepanek,
The prints of Lucas van Leyden & his contemporaries, Washington [D.C.], 1983 |
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Werner Sumowski,
Gemälde der Rembrandt-Schüler, Landau/Pfalz, 1983-1994 |
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Peter Hecht,
De Hollandse fijn schilders., Amsterdam-Maarssen/'s-Gravenhage, 1989 |
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Horst Lademacher,
Geschichte der Niederlande, Darmstadt, 1983 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Seymour Slive,
Rembrandt and his critics, 1630-1730., Hague, 1953 |
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