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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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inl. door E. de Jongh,
Tot lering en vermaak, Amsterdam, 1976 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Seymour Slive,
Frans Hals, London, 1970-72 |
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Jakob Rosenberg, Seymour Slive, E.H. ter Kuile,
Dutch Art and Architecture, , 1966 |
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S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
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H. Perry Chapman,
Rembrandt's Self-Portraits, Princeton, NJ, 1990 |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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Christopher White,
The Dutch Pictures in the Collection of Her Majesty The Queen, Cambridge, 1982 |
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Neil MacLaren,
The Dutch school, London, 1960 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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Werner Sumowski,
Drawings of the Rembrandt School, New York, 1979-1992 |
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Mariët Westermann,
The Amusements of Jan Steen, Zwolle, 1997 |
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Cynthia P. Schneider with contributions by Boudewijn Bakker, Nancy Ash, and Shelly Fletcher,
Rembrandt's landscapes, Washington, 1990 |
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Seymour Slive (ed.),
Frans Hals, Munich; New York, NY, 1989 |
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Seymour Slive,
Rembrandt and his critics, 1630-1730., Hague, 1953 |
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