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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
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Seymour Slive,
Frans Hals, London, 1970-72 |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Walter L. Strauss and Marjon van der Meulen with the assistence of S.A.C. Dudok van Heel and P.J.M. de Baar,
The Rembrandt Documents, New York, 1979 |
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Jakob Rosenberg, Seymour Slive, E.H. ter Kuile,
Dutch Art and Architecture, , 1966 |
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A. Pigler,
Barockthemen, Budapest, 1974 |
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Seymour Slive,
Rembrandt and his critics, 1630-1730., Hague, 1953 |
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Bernhard Schnackenburg,
Gemäldegalerie Alte Meister, Mainz, 1996 |
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Anne W. Lowenthal,
Joachim Wtewael and Dutch Mannerism, Doornspijk, 1986 |
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Albert Blankert,
Ferdinand Bol (1616-1680), Doornspijk, 1982 |
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H. van Hall,
Portretten van Nederlandse beeldende kunstenaars, Amsterdam, 1963 |
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Ernst Van de Wetering,
Rembrandt, Amsterdam, 1997 |
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Cynthia P. Schneider with contributions by Boudewijn Bakker, Nancy Ash, and Shelly Fletcher,
Rembrandt's landscapes, Washington, 1990 |
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Christopher White,
The Dutch Pictures in the Collection of Her Majesty The Queen, Cambridge, 1982 |
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Christopher Wright,
Dutch Painting in The Seventeenth Century, London, 1989 |
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Konrad Renger,
Lockere Gesellschaft, Berlin, 1970 |
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S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
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Benedict Nicolson,
The International Caravaggesque Movement, Oxford, 1979 |
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J.A. Emmens,
Rembrandt en de regels van de kunst, Utrecht, 1968 |
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