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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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Svetlana Alpers,
The Art of Describing, Chicago, 1983 |
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John Michael Montias,
Artists and artisans in Delft, Princeton, N.J., 1982 |
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Karel van Mander (uitgegeven door Hessel Miedema),
Den grondt der edel vry schilder-const, Utrecht, 1973 |
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Peter C. Sutton (ed.),
Masters of 17th-century Dutch landscape painting, Boston, 1987 |
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Neil MacLaren,
The Dutch school, London, 1960 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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Wolfgang Stechow,
Dutch landscape painting of the seventeenth century, London, 1966 |
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S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
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Albert Blankert,
Vermeer of Delft, New York, 1978 |
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Jonathan Irvine Israel,
Dutch Primacy in World Trade, 1585-1740, Oxford - New York, 1989 |
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Eddy de Jongh,
Zinne- en minnebeelden in de schilderkunst van de zeventiende eeuw, s.l., 1967 |
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Gary Schwartz,
Rembrandt, New York, N.Y., U.S.A., 1985 |
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Christopher Brown,
Images of a Golden Past, New York, 1984 |
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inl. door E. de Jongh,
Tot lering en vermaak, Amsterdam, 1976 |
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David R. Smith,
Masks of Wedlock, Ann Arbor, Michigan, 1982 |
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Hessel Miedema,
De archiefbescheiden van het St. Lukasgilde te Haarlem, 1497-1798, Alphen aan den Rijn, 1980 |
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Katherine Fremantle,
The Baroque Town Hall of Amsterdam, Utrecht, 1959 |
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Jan de Vries,
The Dutch Rural Economy in the Golden Age 1500-1700, New Haven and London, 1974 |
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