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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Anne W. Lowenthal,
Joachim Wtewael and Dutch Mannerism, Doornspijk, 1986 |
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E.K.J. Reznicek,
Die Zeichnungen von Hendrick Goltzius, Utrecht, 1961 |
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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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Hessel Miedema,
Kunst, kunstenaar en kunstwerk bij Karel van Mander, Alphen aan de Rijn, 1981 |
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Peter C. Sutton (ed.),
Masters of 17th-century Dutch landscape painting, Boston, 1987 |
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David Freedberg,
Dutch landscape prints of the seventeenth century, London, 1980 |
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Cornelia Moiso-Diekamp,
Das Pendant in der holländischen Malerei des 17. Jahrhunderts, Frankfurt am Main, 1987 |
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Wolfgang Stechow,
Dutch landscape painting of the seventeenth century, London, 1966 |
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Karel van Mander (uitgegeven door Hessel Miedema),
Den grondt der edel vry schilder-const, Utrecht, 1973 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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inl. door E. de Jongh,
Tot lering en vermaak, Amsterdam, 1976 |
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Svetlana Alpers,
The Art of Describing, Chicago, 1983 |
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Lawrence Otto Goedde,
Tempest and Shipwreck in Dutch and Flemish Art, University Park, 1989 |
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I.Q. van Regteren Altena,
Jacques de Gheyn, The Hague/Boston/London, 1983 |
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John B. Knipping,
Iconography of the counter reformation in the Netherlands, Nieuwkoop, 1974 |
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A.M. Logan,
The Cabinet of the Brothers Gerard and Jan Reyst, Amsterdam, 1979 |
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Walter S. Melion,
Shaping the Netherlandish canon. Karel van Mander's Schilder-Boeck, Chicago, 1991 |
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Jan van der Waals,
De prentschat van Michiel Hinloopen, 's-Gravenhage; [Amsterdam], 1988 |
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