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Pieter de Hooch, Oxford, 1980 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
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Christopher Brown,
Images of a Golden Past, New York, 1984 |
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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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F.W. Robinson,
Gabriel Metsu (1629-1667), New York, 1974 |
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S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
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W. Martin (ed.),
Gerard Dou, Stuttgart und Berlin, 1913 |
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Arthur K. Wheelock, Jr,
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Walter Liedtke, Michiel C. Plomp, and Axel Ruger,
Vermeer and the Delft School, New Haven, 2001 |
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J.M. Montias,
Vermeer and his milieu, Princeton, New Jersey, 1989 |
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Wayne Franits,
Dutch Seventeenth-Century Genre Painting, New Haven, 2004 |
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Peter C. Sutton,
Pieter de Hooch, 1629-1684, New Haven and London, 1998 |
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Mariët Westermann,
The Amusements of Jan Steen, Zwolle, 1997 |
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Albert Blankert,
Vermeer of Delft, New York, 1978 |
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H. Perry Chapman,
Rembrandt's Self-Portraits, Princeton, NJ, 1990 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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