| vii | | Julien Chapuis, Molly Faries: Scholar and Mentor
|
|
| xi | | J.R.J. van Asperen de Boer, Laudatio Molly Faries
|
|
| xiii | | , Chronological Bibliography of Molly Faries
|
|
| 2 | | Alfred Acres, Posing Intentions in Renaissance Painting
|
|
| 20 | | Victor M. Schmidt, Johan Maelwael and the Beginnings of Netherlandish Canvas Painting
|
|
| 30 | | Timothy B. Husband, Picturing the Narrative: Compositional Intelligence in the Belles Heures
|
|
| 50 | | Carol J. Purtle, Intention and Invention in Jan van Eyck's Saint Barbara
|
|
| 64 | | Catherine A. Metzger and Michael Palmer, The Creative Process in Rogier van der Weyden's Portraits
|
|
| 86 | | Till-Holger Borchert, Hans Memling and Rogier van der Weyden
|
|
| 94 | | Anne H. van Buren, Van Lathem's Costumes
|
|
| 104 | | Maryan W. Ainsworth, Juan de Flandes, Chameleon Painter
|
|
| 124 | | Philippe Lorentz, The Painter's Role in the Conception of Sculpture: Jean Hey at Chantelle
|
|
| 136 | | Martha Wolff, Observations on Underdrawings in Paintings by the Master of Moulins
|
|
| 152 | | Corine Schleif and Volker Schier, Puzzles On and Under the Surface: Changed Subjectivity in the Imhoff Epitaph
|
|
| 162 | | Walter S. Gibson, Invented in Hell: Bosch's Tree-Man
|
|
| 174 | | Jeffrey Chipps Smith, Master H.L. and the Challenge of Invention in Different Media
|
|
| 190 | | Ethan Matt Kavaler, Jacques Du Broeucq and Northern Perspectives on the Antique Mode
|
|
| 208 | | Larry Silver, Translating Dürer into Dutch
|
|