ix | | Colum Hourihane, Preface
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xi | | Eleanor E. Fink, Preface
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3 | | Colum Hourihane, Introduction
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11 | | Jaroslav Folda, Problems in the Iconography of the Art of the Crusaders in the Holy Land: 1098-1291/1917-1997
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25 | | Debra Hassig, The Iconography of Rejection: Jews and Other Monstrous Races
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47 | | Alison Stones, Nipples, Entrails, Severed Heads, and Skin: Devotional Images for Madame Marie
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71 | | Dorothy Hoogland Verkerk, Moral Structure in the Ashburnham Pentateuch
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89 | | Adelaide Bennett, A Woman's Power of Prayer versus the Devil in a Book of Hours of ca. 1300
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109 | | Cynthia Hahn, Interpictoriality in the Limoges Chasses of Stephen, Martial, and Valerie
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125 | | Andreas Petzold, "Of the Significance of Colours": The Iconography of Colour in Romanesque and Early Gothic Book Illumination
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135 | | James D'Emilio, Looking Eastward: The Story of Noe at Monreale Cathedral
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151 | | Giovanni Freni, The Architecture and Sculpture of the Portal of the South Side of Arezzo Cathedral
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169 | | Avril Henry, Daring Conflation? A Difficult Image in the Genesis Sequence of the Eton Roundels (Eton College, Ms. 177, f. 2r)
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205 | | John V. Fleming, The Personal Appropriation of Iconographic Forms: Two Franciscan Signatures
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215 | | Lutz Heusinger, How to Improve Art-Historical Services
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227 | | Helene E. Roberts, The Persistence of Mythological, Religious, and Literary Narratives as Subjects of Works of Art
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243 | | Peter van Huisstede, The Iconography of The Ship of State by Peter Paul Rubens: A Variant on the Theme "Hercules am Scheidewege"
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259 | | Carol Togneri, ICONCLASS and Its Application to Primary Documents
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271 | | Hans Brandhorst, Ululas Athenas: Owls to Athens
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291 | | Jörgen van den Berg and Gerda G.J. Duijfjes-Vellekoop, Translating ICONCLASS and the Connectivity Concept of the Iconclass2000 Browser
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