| 14 | | László Baán, Words of welcome
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| 16 | | Judit Geskó, Van Gogh in Budapest
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| 23 | | Roland Dorn, Vincents Geige, Van Goghs Selbstbild, seine Interpreten und sein Oeuvre
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| 46 | | Roland Dorn, Vincent's Violin, Van Gogh's Self-Portrait(s), His Interpreters and His Oeuvre
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| 65 | | Werner Hofmann, Alles reizte ihn zum Widerspruch
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| 74 | | Werner Hofmann, Everything Provoked Contradiction
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| 83 | | Oskar Bätschmann, Vincent van Gogh erwählt sich Rembrandt und Delacroix
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| 96 | | Oskar Bätschmann, Van Gogh Chooses Rembrandt and Delacroix
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| 107 | | Cornelia Homburg, Van Gogh and Rembrandt: Motivation for a Modern Painter
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| 121 | | Judit Geskó, The Question of Distortion in Van Gogh's Graphic Art or Might Michelangelo Have Been a Model?
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| 131 | | Sjraar van Heugten, Nine Lithographs and an Etching. The Graphic Work of Vincent van Gogh
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| 143 | | Péter Molnos - Judit Geskó, Vincent van Gogh's Works in Hungary
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| 169 | | Árpád Tímár, The Reception of Van Gogh's Art in Hungary
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| 199 | | Martha op de Coul, The Brief Life of Vincent van Gogh
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| 375 | | Ilona Fekete, Vincent van Gogh and French Graphic Arts or the "Faithful Veterans"
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| 385 | | Judit Geskó, Vincent van Gogh's Musée Imaginaire. Related Works from the Collections of the Museum of Fine Arts, Budapest
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| 399 | | Monika Bincsik, "A Simple Worshipper of the Eternal Buddha". The Japonisme of Vincent van Gogh
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| 449 | | Péter Molnos, Parallels and Influences. Van Gogh and Hungarian Painting
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