| 1 | | Jan Bloemendal, Peter G.F. Eversmann and Elsa Strietman, Drama, Performance, Debate. Theatre and Public Opinion in the Early Modern Period: An Introduction
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| 19 | | Katell Lavéant, Personal Expression of a Playwright or Public Discourse of a Confraternity? A Performance at the Puy de Notre-Dame in Amiens in 1473
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| 35 | | Hartmut Beyer, Carlo and Marcellino Verardi's Fernandus servatus and the Poem Supra casum Hispani regis by Petrus Martyr: Drama and Diplomacy in Papal Rome under Alexander VI
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| 57 | | Jelle Koopmans, The University out on the Streets: Drama, Debate and Public Space in France (1490-1520)
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| 81 | | Arjan van Dixhoorn, Theatre Society in the Early Modern Low Countries: Theatricality, Controversy, and Publicity in Amsterdam
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| 115 | | Verena Demoed, Theatre in Court: The Heresy Trial Against the Playwright Gnapheus and the Confessionalization of the Lutheran Church
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| 143 | | Stijn Bussels, All About Eve: Genesis and Gender in a Fireworks Display in the Antwerp Entry of Charles V and His Son Philip
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| 163 | | Elsa Strietman, Staged Conversations: Topical Discourse in Sixteenth-Century Dutch Biblical Rhetoricians' Plays
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| 193 | | Hubert Meeus, The Peasant as a Mouthpiece of Public Opinion in Sixteenth- and Seventeenth-Century Dutch Theatre
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| 213 | | Ron J. Gruijters, Public Debate and Early Modern Drama: Intended or Unintended Topicality in Lummenaeus à Marca's Carcer Babylonius (1610)
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| 253 | | Jean-Frédéric Chevalier, Contextualizing Nicolas Caussin's Tragoediae Sacrae (1620): Moral Issues in the Portrayal of Passions
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| 269 | | Peter G.F. Eversmann, 'Founded for the Ears and Eyes of the People': Picturing the Amsterdam Schouwburg from 1637
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| 297 | | Marco Prandoni, Staging the History of Amsterdam in Vondel's Gysbreght van Aemstel: A Non-Confessional Dramatic Contribution to the Narrative of the Dutch Revolt
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| 311 | | Frans-Willem Korsten, Mundus Dramaticus: A School Drama and Dramatization - Franciscus van den Enden
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| 333 | | Imre Bésanger, Ballet de la Paix: Staging a Seventeenth-Century Theatre Performance
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| 347 | | Helmar Schramm, Masks and Skulls: Towards an Anatomy of Drama in the Seventeenth Century
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