| 7 | | Mariët Westermann, Introduction, Rubens and the Capital of the North
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| 17 | | Filip Vermeylen, Antwerp Beckons, The Reasons for Rubens' Return to the Netherlands in 1608
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| 35 | | Frits Scholten, Rubens' werkplaats-academie, of de ghemeynschap die onse Consten van Schildry ende Belthouwery t'samen hebben
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| 55 | | Andrew D. Hottle, Commerce and Connections, Peter Paul Rubens and the Dedicated Print
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| 87 | | Cynthia Lawrence, Confronting Heresy in Post-Tridentine Antwerp, Coercion and Reconciliation as Opposing Strategies in Rubens' Real Presence in the Holy Sacrament
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| 117 | | Barbara Haeger, Rubens' Rockox Triptych, Sight, Meditation, and the Justification of Images
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| 155 | | Anna C. Knaap, Seeing in Sequence, Peter Paul Rubens' Ceiling Cycle at the Jesuit Church in Antwerp
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| 197 | | Ulrich Heinen, Rubens' Pictorial Diplomacy at War (1637/1638)
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| 227 | | Lucy Jane Davis, A Gift from Nature, Rubens' Bacchus and Artistic Creativity
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| 245 | | Eveliina Juntunen, Rubens, Van Mander und Goltzius, Juno und Argus und der kunsttheoretische Diskurs in den nördlichen Niederlanden
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| 271 | | Elizabeth Honig, Paradise Regained, Rubens, Jan Brueghel, and the Sociability of Visual Thought
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| 303 | | Karolien De Clippel, Rubens Meets Brouwer, Confrontations with Low-Life Genre Painting
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| 335 | | Irene Schaudies, Trimming Rubens' Shadow, New Light on the Mediation of Caravaggio in the Southern Netherlands
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