|
F.W. Robinson,
Gabriel Metsu (1629-1667), New York, 1974 |
 |
|
F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
|
|
Peter C. Sutton,
Pieter de Hooch, Oxford, 1980 |
|
|
Eddy de Jongh,
Zinne- en minnebeelden in de schilderkunst van de zeventiende eeuw, s.l., 1967 |
|
|
Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
|
|
H. Perry Chapman,
Rembrandt's Self-Portraits, Princeton, NJ, 1990 |
|
|
O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
|
|
Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
|
|
inl. door E. de Jongh,
Tot lering en vermaak, Amsterdam, 1976 |
|
|
E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
|
|
S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
|
|
Svetlana Alpers,
The Art of Describing, Chicago, 1983 |
|
|
W. Martin (ed.),
Gerard Dou, Stuttgart und Berlin, 1913 |
|
|
Peter C. Sutton,
Pieter de Hooch, 1629-1684, New Haven and London, 1998 |
|
|
J.A. Emmens,
Rembrandt en de regels van de kunst, Utrecht, 1968 |
|
|
Ilse Manke,
Emanuel de Witte (1617-1692), Amsterdam, 1963 |
|
|
Werner Sumowski,
Drawings of the Rembrandt School, New York, 1979-1992 |
|
|
David R. Smith,
Masks of Wedlock, Ann Arbor, Michigan, 1982 |
|
|
Rolf Kultzen,
Michael Sweerts, Doornspijk, 1996 |
|
|
Alison McNeil Kettering,
The Dutch Arcadia, Montclair, NJ, 1983 |
|