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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Walter L. Strauss and Marjon van der Meulen with the assistence of S.A.C. Dudok van Heel and P.J.M. de Baar,
The Rembrandt Documents, New York, 1979 |
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Seymour Slive,
Rembrandt and his critics, 1630-1730., Hague, 1953 |
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Marcel Georges Roethlisberger,
Abraham Bloemaert and his sons, Doornspijk, The Netherlands, 1993 |
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H. Perry Chapman,
Rembrandt's Self-Portraits, Princeton, NJ, 1990 |
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Werner Sumowski,
Drawings of the Rembrandt School, New York, 1979-1992 |
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Erik Hinterding, Ger Luijten and Martin Royalton-Kisch,
Rembrandt the Printmaker, London, 2000 |
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John Michael Montias,
Artists and artisans in Delft, Princeton, N.J., 1982 |
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Albert Blankert,
Ferdinand Bol (1616-1680), Doornspijk, 1982 |
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Otto Benesch, enlarged and edited by Eva Benesch,
The drawings of Rembrandt, London/New York, 1973 |
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Ger Luijten and Ariane van Suchtelen, Reinier Baarsen, Wouter Kloek, Marijn Schapelhouman (editors),
Dawn of the Golden Age, Amsterdam - Zwolle, 1993 |
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Neil MacLaren, revised and expanded by Christopher Brown,
The Dutch school, 1600-1900, London, 1991 |
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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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Jonathan Israel,
The Dutch Republic, Oxford, 1995 |
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Seymour Slive (ed.),
Frans Hals, Munich; New York, NY, 1989 |
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Svetlana Alpers,
Rembrandt's Enterprise, London, 1988 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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Karel van Mander (uitgegeven door Hessel Miedema),
Den grondt der edel vry schilder-const, Utrecht, 1973 |
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