| 9 | | Ernst W. Veen, You never have a colour in yourself, it's others who give you a colour, Foreword
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| 10 | | Ellen Ombre, Looking and being looked at
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| 13 | | Esther Schreuder & Elmer Kolfin, Black is beautiful, Rubens to Dumas
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| 21 | | Esther Schreuder, 'Blacks' in court culture in the period 1300-1900, Propaganda and consolation
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| 33 | | Jean Michel Massing, The Black Magus in the Netherlands, From Memling to Rubens
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| 51 | | Elizabeth McGrath, Goltzius, Rubens and the beauties of Night
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| 71 | | Elmer Kolfin, Black models in Dutch art between 1580 and 1800, Fact and fiction
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| 89 | | Carl Haarnack and Dienke Hondius, with a contribution by Elmer Kolfin, 'Swart' (black) in the Netherlands, Africans and Creoles in the Northern Netherlands from the Middle Ages to the twentieth century
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| 109 | | Esther Schreuder, Black is beautiful, black is hot, The attraction of black culture
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| 125 | | Jacqueline de Raad, On 'painting from negroes' and Jan Sluijters' favourite model Tonia Stieltjes
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| 137 | | Adi Martis, Double Black
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| 151 | | Vincent Boele, Carl Haarnack, Claire Hart de Ruijter, Dienke Hondius, Elmer Kolfin, Adi Martis, Jean Michel Massing, Elizabeth McGrath, Jaimie McIntyre, Tom van der Molen, Jacqueline de Raad, Kathry Rudy, Esther Schreuder, Dirk Tang, Priscilla Tosari, Joo, Catalogue
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