| 9 | | C.S.M., Acknowledgments
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| 13 | | Ian McKibbin White, J. Carter Brown, Directors Preface
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| 17 | | Charles S. Moffett, Introduction
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| 27 | | Stéphane Mallarmé, The Impressionists and Edouard Manet
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| 37 | | Louis Emile Edmond Duranty, The New Painting: Concerning the Group of Artists Exhibiting at the Durand-Ruel Galleries
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| 51 | | Stephen F. Eisenman, The Intrasigent Artist or How the Impressionists Got Their Name
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| 61 | | Richard Shiff, The End of Impressionism
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| 93 | | Paul Tucker, The First Exhibition in Context
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| 145 | | Hollis Clayson, A Failed Attempt
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| 189 | | Richard R. Bretell, The "First" Exhibition of Impressionist Painters
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| 243 | | Ronald Pickvance, Contemporary Popularity and Posthumous Neglect
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| 293 | | Charles S. Moffett, Disarray and Disappointment
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| 337 | | Fronia E. Wissman, Realists among the Impressionists
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| 373 | | Joel Isaacson, The Painters Called Impressionists
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| 421 | | Martha Ward, The Rhetoric of Idependence and Innovation
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