The visible world, Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age
Thijs Weststeijn
| Author: | Thijs Weststeijn | |
| Title: | The visible world, Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age | |
| Place: | Amsterdam | |
| Publisher: | Amsterdam University Press | |
| Year: | 2008 | |
| Series: | Amsterdam Studies in the Dutch Golden Age | |
| Pages: | 475 | |
| ISBN13: | 9789089640277 | |
| Index: | yes | |
| Bibliography: | yes | |
| Related persons: |
Samuel van Hoogstraten |
Reviews
Jan Blanc, in Simiolus, 33, 2007/2008 pp. 276-282
This book is cited in
| Eric Jan Sluijter, Rembrandt's rivals, Amsterdam; Philadelphia, 2015 | |
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| Christopher D.M. Atkins, The Signature Style of Frans Hals, [Amsterdam], 2012 | |
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| Arthur Weststeijn, Commercial republicanism in the Dutch Golden Age, Leiden; Boston, 2012 | |
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| Hessel Miedema, Het begin van de kunsttheorie in de Hollandse Gouden Eeuw, II. Karel van Mander, in Oud Holland, 126, 2013 pp. 17-30 | |
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| Karin Leonhard, Pictura's fertile field: Otto Marseus van Schrieck and the genre of sottobosco painting, in Simiolus, 34, 2009/2010 pp. 95-118 | |
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| Junko Aono, Ennobling daily life: a question of refinement in early eighteenth-century Dutch genre painting, in Simiolus, 33, 2007/2008 pp. 237-257 | |
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