Rogier van der Weyden (c. 1399 - 1464)
Early Netherlandish painterArticles on Rogier van der Weyden
Vanessa Vaes, A Phoenix from the Flames... The Testament of Catherine de Brabant (ca. 1431-1499) and its relationship to Rogier van der Weyden's Braque triptych (ca. 1452), in Oud Holland, 121, 2008 pp. 89-98
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| Catherine A. Metzger and Michael Palmer, The Creative Process in Rogier van der Weyden's Portraits, in Julien Chapuis (ed.), Invention, Turnhout, 2008, pp 64-85 |
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| Till-Holger Borchert, Hans Memling and Rogier van der Weyden, in Julien Chapuis (ed.), Invention, Turnhout, 2008, pp 86-93 |
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| J.R.J. van Asperen de Boer, A note on the original disposition of the Ghent altarpiece and the Beaune polyptych, in Oud Holland, 117, 2004 pp. 107-118
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| Lorne Campbell and Yvonne Szafran, The portrait of Isabella of Portugal, Duchess of Burgundy, in the J. Paul Getty Museum, in Burlington Magazine, 146, 2004 pp. 148-157 |
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| Lorne Campbell, Lord Northwick's collection and Rogier van der Weyden's portrait of Francesco d'Este, in Burlington Magazine, 144, 2002 pp. 696 |
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| Victoria S. Reed, Rogier van der Weyden's Saint John Triptych for Miraflores and a Reconsideration of Salome, in Oud Holland, 115, 2001/2002 pp. 1-14
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| Mark Tucker, Rogier van der Weyden's Philadelphia 'Crucifixion', in Burlington Magazine, 139, 1997 pp. 676-683
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| Christiane Lukatis, Der himmlische Gerichtshof und der Seelenwäger Michael im Beauner Weltgericht Rogier van der Weydens, in Oud Holland, 107, 1993 pp. 317-351 |
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| Barbara G. Lane, "Requiem aeternam dona eis": the Beaune Last Judgment and the Mass of the Dead, in Simiolus, 19, 1989 pp. 166-180 |
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| Penny Howell Jolly, Rogier van der Weyden's Escorial and Philadelphia Crucifixions and their relation to Fra Angelico at San Marco, in Oud Holland, 95, 1981 pp. 113-126 |
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| Burton B. Fredricksen, A Flemish Deposition of ca. 1500 and Its Relation to Rogier's Lost Composition, in The J. Paul Getty Museum Journal, 9, 1981 pp. 133-156 |
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| Manfred Bambeck, Die Devise "Je he ce que mord" auf dem Bildnis des Guillaume Fillastre von Rogier van der Weyden, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1981, pp 95-105 |
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| Maria Gräfin Lanckoronska, Die Medici-Madonna des Rogier van der Weyden, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1969, pp 25-42 |
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| Heribert Meurer, Zwei antike Vorbilder und die Rückenfigur im Johannes-Altar des Rogier van der Weyden, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1969, pp 233-242 |
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| S. Sulzberger, La descente de croix de Rogier van der Weyden, in Oud Holland, 78, 1963 pp. 150-151 |
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| Max J. Friedländer, Der Meister der Katharinen-Legende und Rogier van der Weijden, in Oud Holland, 64, 1949 pp. 156-161 |
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| Max J. Friedländer, Noch etwas über das Verhältnis Roger van der Weydens zu Memling, in Oud Holland, 61, 1946 pp. 11-19 |
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| Edouard Michel, Unité ou dualité, A propos du problème Maître de Flémalle-Rogier, in Oud Holland, 50, 1933 pp. 49-57 |
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