Catalogue raisonné
| Rossella Vodret Caravaggio, The complete works Cinisello Balsamo, Milano, 2010 |
Books on Caravaggio
| Wolfgang Prohaska and Gudrun Swoboda Caravaggio und der internationale Caravaggismus Milano; Wien, 2010 |
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| Jochen Sander, Bastian Eclercy und Gabriel Dette (eds.) Caravaggio in Holland, Musik und Genre bei Caravaggio und den Utrechter Caravaggisten Frankfurt am Main; München, 2009 |
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| Duncan Bull (red.) Rembrandt Caravaggio Zwolle - Amsterdam, 2006 |
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| John Varriano Caravaggio, The Art of Realism University Park, 2006 |
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| Nicola Spinosa (ed.) Caravaggio, l'ultimo tempo 1606-1610 Napoli, 2004 |
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| Mieke Bal Quoting Caravaggio, Contemporary Art, Preposterous History Chicago, 1999 |
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| Leo Bersani and Ulysse Dutoit Caravaggio's Secrets Cambridge, Mass., 1998 |
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| Benedict Nicolson The International Caravaggesque Movement, Lists of Pictures by Caravaggio and His Followers Throughout Europe from 1590-1630 Oxford, 1979 |
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Catalogues
| Wolfgang Prohaska and Gudrun Swoboda Caravaggio und der internationale Caravaggismus Milano; Wien, 2010 |
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| Staatliche Museen zu Berlin--Preußischer Kulturbesitz Dokumentation der Verluste, Band I - Gemäldegalerie Berlin, 1995 |
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Articles on Caravaggio
| Patrizio Barbieri, Caravaggio's 'Denial of St Peter' acquired by Guido Reni in 1613, in Burlington Magazine, 154, 2012 pp. 487-489 |
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| Jake Wilson, An addition to the provenance of Caravaggio's 'Taking of Christ', in Burlington Magazine, 151, 2009 pp. 691 |
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| Bastian Eclercy, Erfahrungshorizont Rom. Die Musikantenbilder Caravaggios und der italienischen Caravaggisten, in Jochen Sander, Bastian Eclercy und Gabriel Dette (eds.), Caravaggio in Holland, Frankfurt am Main; München, 2009, pp 19-35 |
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| Lorenzo Pericolo, Visualizing Appearance and Disappearance: On Caravaggio's London Supper at Emmaus, in Art Bulletin, 89, 2007 pp. 519-539 |
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| Keith Sciberras, Caravaggio, the Confraternita della Misericordia and the original context of the Oratory of nthe Decollato in Valletta, in Burlington Magazine, 149, 2007 pp. 759-766 |
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| Mina Gregori, Caravaggio and Lombardy: A Critical Account of the Artist's Formation, in Andrea Bayer (ed.), Painters of Reality, New Haven and London, 2004, pp 23-43 |
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| Lubomír Konecný, Caravaggio's "Self-Portrait" by Ribera, in Art Bulletin, 85, 2003 pp. 406 |
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| Philip Sohm, Response, in Art Bulletin, 85, 2003 pp. 406 |
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| Philip Sohm, Caravaggio's Deaths, in Art Bulletin, 84, 2002 pp. 449-468 |
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| Keith Sciberras, 'Frater Michael Angelus in tumultu': the cause of Caravaggio's imprisonment in Malta, in Burlington Magazine, 144, 2002 pp. 229-232 |
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| Lothar Sickel, Remarks on the Patronage of Caravaggio's 'Entombment of Christ', in Burlington Magazine, 143, 2001 pp. 426-429 |
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| Linda Bauer, Steve Colton, Tracing in Some Works by Caravaggio, in Burlington Magazine, 142, 2000 pp. 434-436 |
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| Sandro Corradini, Maurizio Marini, The Earliest Account of Caravaggio in Rome, in Burlington Magazine, 140, 1998 pp. 25-28 |
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John Gash, The Identity of Caravaggio's 'Knight of Malta', in Burlington Magazine, 139, 1997 pp. 156-160
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| David M. Stone, The Context of Caravaggio's 'Beheading of St John' in Malta, in Burlington Magazine, 139, 1997 pp. 161-170
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| Avigdor W.G. Posèq, The Composite "Pathosformel" of Caravaggio's St. Mary Magdalene in Ecstasy, in Herausgegeben vom Bundesdenkmalamt Wien und vom Institut für Kunstgeschihte Wien, Wiener Jahrbuch für Kunstgeschichte, Wien; Köln; Weimar, 1991, pp 121-130 |
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| Linda Freeman Bauer, Moral Choice in Some Paintings by Caravaggio and His Followers, in Art Bulletin, 73, 1991 pp. 391-398 |
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| Keith Christiansen, Some observations on the relationship between Caravaggio's two treatments of the 'Lute-player', in Burlington Magazine, 132, 1990 pp. 21-26 |
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| Denis Mahon, The singing 'Lute-player' by Caravaggio from the Barberini collection, painted for Cardinal Del Monte, in Burlington Magazine, 132, 1990 pp. 5-20 |
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| Christoph Schreier, Von der Darstellung zur Vergegenwärtigung - Motiv und Funktion dess Sinnlichen in Caravaggios Frühwerk, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1989, pp 329-338 |
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| John Varriano, Caravaggio and the Decorative Arts in the Two Suppers at Emmaus, in Art Bulletin, 68, 1986 pp. 218-224
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| Keith Christiansen, Caravaggio and "L'esempio davanti del naturale", in Art Bulletin, 68, 1986 pp. 421-445
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| Troy Thomas, Expressive Aspects of Caravaggio's First Inspiration of Saint Matthew, in Art Bulletin, 67, 1985 pp. 636-652
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| Maurizio Marini, Gli esordi del Caravaggio e il concetto di "natura" nei primi decenni del Seicento a Roma. Equivoci del caravaggismo, in Artibus et Historiae, 4, 1981 pp. 39-83
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| Irving Lavin, A Further Note on the Ancestry of Caravaggio's First Saint Matthew, in Art Bulletin, 62, 1980 pp. 113-114
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| Leonard J. Slatkes, Caravaggio's 'Pastor Friso', in Drs. L.D. Couprie, Dr. H.W. van Os, Drs. E.R.M. Taverne en Drs. L. de Vries (eds.), Nederlands Kunsthistorisch Jaarboek 1972, Bussum, 1972, pp 67-72 |
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| A. von Schneider, Entlehnungen Hendrick Ter-Brugghens aus dem Werk Caravaggios, in Oud Holland, 44, 1927 pp. 261-269 |
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Articles with substantial mentioning of Caravaggio
| Loredana Lorizzo, Cardinal Ascanio Filomarino's Purchases of Works of Art in Rome: Poussin, Caravaggio, Vouet and Valentin, in Burlington Magazine, 143, 2001 pp. 404-411 |
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Exhibitions:
| 2006 | Rembrandt Caravaggio | |
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Exhibitions with works by Caravaggio:
| Michelangelo Merisi da Caravaggio | ||
| Born: | 1571 | |
| Milan or Caravaggio | ||
| Died: | 1610 | |
| Porto Ercole | ||
| ULAN: | 500115312 | |