| Judy Sund, Middleman: Antoine Watteau and Les Charmes de la Vie, in Art Bulletin, 91, 2009 pp. 59-82
|
 |
| Christoph Martin Vogtherr and Eva Wenders de Calisse, Watteau's 'Shopsign': the long creation of a masterpiece, in Burlington Magazine, 149, 2007 pp. 296-304
|
| |
| Manuela Vergoossen, Rocaille und die Erzählstruktur bei Watteau, in Götz Pochat, Brigitte Wagner (eds.), Erzählte Zeit und Gedächtnis, Graz, 2005, pp 82-92
|
| |
| Kirsten Dickhaut, Gespräch der Texte oder nerval und Watteau im Gedächtnisraum "Cythère", in Gabriele Vickermann-Ribémont, Dietmar Rieger (eds.), Dialog und Dialogizität im Zeichen der Aufklärung, Tübingen, 2003, pp 265-281
|
| |
| Craig Hanson, Dr Richard Mead and Watteau's 'Comédiens italiens', in Burlington Magazine, 145, 2003 pp. 265-272
|
| |
| Georgia Cowart, Watteau's "Pilgrimage to Cythera" and the Subversive Utopia of the Opera-Ballet, in Art Bulletin, 83, 2001 pp. 461-478
|
| |
| Marianne Roland Michel, The Rosenberg-Prat Catalogue of Watteau's Drawings, in Burlington Magazine, 140, 1998 pp. 749-754
|
| |
Larry J. Feinberg and Frank Zuccari, A Rediscovered 'Fête champêtre' by Watteau in the Art Institute of Chicago, in Burlington Magazine, 139, 1997 pp. 236-247
|
| |
| Andrew McClellan, Watteau's Dealer: Gersaint and the Marketing of Art in Eighteenth-Century Paris, in Art Bulletin, 78, 1996 pp. 439-453
|
| |
| Donald Posner, The Swinging Women of Watteau and Fragonard, in Art Bulletin, 64, 1982 pp. 75-88
|
| |
| Claude Phillips, An Unknown Watteau, in Burlington Magazine, 5, 1904 pp. 235-238
|
| |