Jill Dunkerton, Jennifer Fletcher and Paul Joannides, A portrait of 'Girolamo Fracastoro' by Titian in the National Gallery, in Burlington Magazine, 155, 2013 pp. 4-15
|
|
Burton Fredericksen, Titian's Barbarigo portrait and Lord Damley, in Burlington Magazine, 155, 2013 pp. 16-18
|
|
Matthias Wivel, A new drawing by Titian, in Burlington Magazine, 155, 2013 pp. 152-156
|
|
Irina Artemieva, New light on Titian's 'Flight into Egypt' in the Hermitage, in Burlington Magazine, 154, 2012 pp. 4-11
|
|
Antonio Mazzotta, A 'gentiluomo da Ca' Barbarigo' by Titian in the National Gallery, London, in Burlington Magazine, 154, 2012 pp. 12-19
|
|
Jill Dunkerton, The conservation of the 'Triumph of Love', in Burlington Magazine, 151, 2009 pp. 542
|
|
Alexis Joachimides, Tizians Laurentiusmartyrium und die Venezianità. Künstler und Auftraggeber zwischen Humanismus und Gegenreformation, in Zeitschrift für Kunstgeschichte, 72, 2009 pp. 351-368
|
|
Beverly Louise Brown, The fate of Mary Shelley's 'Titian', in Burlington Magazine, 150, 2008 pp. 173-181
|
|
Jutta Held, Titian's Flaying of Marsyas: an Analysis of the Analysis, in Oxford Art Journal, 31, 2008 pp. 179-194
|
|
Peter Humfrey, The patron and early provenance of Titian's 'Three ages of man', in Burlington Magazine, 145, 2003 pp. 787-791
|
|
Aidan Weston-Lewis, A drawing in Copenhagen attributed to Titian, in Burlington Magazine, 144, 2002 pp. 596-600
|
|
Jaynie Anderson, Titian's unfinished 'Portrait of a patrician woman and her daughter' from the Barbarigo collection, Venice, in Burlington Magazine, 144, 2002 pp. 671-679
|
|
Juergen Schulz, Titian at the Fondaco dei Tedeschi, in Burlington Magazine, 143, 2001 pp. 567-569
|
|
Fredrika H. Jacobs, Aretino and Michelangelo, Dolce and Titian: Femmina, Masculo, Grazia, in Art Bulletin, 82, 2000 pp. 51-67
|
|
Sergio Rossetti Morosini, New Findings in Titian's Fresco Technique at the Scuola del Santo in Padua, in Art Bulletin, 81, 1999 pp. 163-164
|
|
Thomas Ketelsen, A Drawing for Giulio Bonasone's Print after Titian's 'Entombment', in Burlington Magazine, 138, 1996 pp. 446-453
|
|
Hans Ost, Titian und Alessandro Contarini, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1991, pp 91-104
|
|
Clark Hulse, The Significance of Titian's "Pastoral Scene", in The J. Paul Getty Museum Journal, 17, 1989 pp. 29-38
|
|
Hans H. Aurenhammer, Künstlerische Neuerung und Repräsentation in Tizians "Pala Pesaro", in , Wiener Jahrbuch für Kunstgeschichte, Wien, Köln, Graz, 1987, pp 13-44
|
|
Hans Ost, Tizian: Paul III. und die Nipoten, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1984, pp 113-130
|
|
Sarah Wilk, Titian's Paduan Experience and Its Influence on His Style, in Art Bulletin, 65, 1983 pp. 51-61
|
|
Bert W. Meijer, Titian Sketches on Canvas and Panel, in Master Drawings, 19, 1981 pp. 276-289, 345-353
|
|
David Rosand, Titian Drawings: A Crisis of Connoisseurship?, in Master Drawings, 19, 1981 pp. 300-308
|
|
David Rosand, Titian and the Eloquence of the Brush, in Artibus et Historiae, 3, 1981 pp. 85-96
|
|
Creighton E. Gilbert, Some Findings on Early Works of Titian, in Art Bulletin, 62, 1980 pp. 36-75
|
|
Alice Sunderland Wethey and Harold E. Wethey, Titian: Two Portraits of Noblemen in Armor and Their Heraldry, in Art Bulletin, 62, 1980 pp. 76-96
|
|
Jòzef Grabski, "Mundus Amoris - Amor Mundus". L'allegoria dell'amore di Tiziano nel Museo del Louvre, in Artibus et Historiae, 2, 1980 pp. 43-61
|
|
Christopher White, A Rembrandt Copy after a Titian Landscape, in Master Drawings, 13, 1975 pp. 375-379, 427
|
|
J. Bruyn, Notes on Titian's Pietà, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 66-75
|
|
Herbert von Einem, Tizians "Madonna mit sechs Heiligen" im Vatikan, in Gert von der Oosten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1971, pp 99-114
|
|
Jan Bialostocki, The Empress Isabella, Titian and Guillim Scrots, (Notes on the Flemish portrait of Isabella in Poznán), in Oud Holland, 69, 1954 pp. 109-115
|
|
, Titian's Portrait of Ariosto, in Burlington Magazine, 5, 1904 pp. 516
|
|