Mark Evans, Raphael of Urbino (1483-1520), in Mark Evans and Clare Browne with Arnold Nesselrath (eds.), Raphael, London, 2010, pp 10-12
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Mark Evans, The commission and the Cartoons, in Mark Evans and Clare Browne with Arnold Nesselrath (eds.), Raphael, London, 2010, pp 18-20
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Clare Browne, The influence of the Cartoons on sixteenth-century tapestry design, in Mark Evans and Clare Browne with Arnold Nesselrath (eds.), Raphael, London, 2010, pp 44-47
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Mark Evans, The impact of the Cartoons, in Mark Evans and Clare Browne with Arnold Nesselrath (eds.), Raphael, London, 2010, pp 48-53
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Clare Browne, The Cartoons at the Mortlake tapestry manufactory, in Mark Evans and Clare Browne with Arnold Nesselrath (eds.), Raphael, London, 2010, pp 54-56
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Mark Evans, The 'afterlife' of the Cartoons, 1600-1865, in Mark Evans and Clare Browne with Arnold Nesselrath (eds.), Raphael, London, 2010, pp 57-62
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Christian K. Kleinbub, Raphael's Transfiguration as Visio-Devotional Program, in Art Bulletin, 90, 2008 pp. 367-393
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Alberto Maria Sartore, New documents for Raphael's 'Coronation of the Virgin' and Perugino's Corciano 'Assumption of the Virgin', in Burlington Magazine, 150, 2008 pp. 669-672
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Brendan Cassidy, A note on the later history of Raphael's Ansidei altarpiece, in Burlington Magazine, 150, 2008 pp. 672-675
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Jonathan Unglaub, Bernardo Accolti, Raphael's 'Parnassus' and a new portrait by Andrea del Sarto, in Burlington Magazine, 149, 2007 pp. 14-22
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Carmen C. Bambach, A new drawing by the young Raphael and its source in Donatello, in Burlington Magazine, 149, 2007 pp. 772-778
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Eun-Sung Kang, Raphael's 'Annunciation' predella panel and a perspective drawing, in Burlington Magazine, 148, 2006 pp. 545-548
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Donal Cooper, Raphael in Perugia: a correction, in Burlington Magazine, 148, 2006 pp. 779
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Francesco Caglioti, Raphael in Florence in 1508, in Burlington Magazine, 147, 2005 pp. 334-335
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Louis A. Waldman, Raphael in Florence in 1508, in Burlington Magazine, 147, 2005 pp. 335
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Paul Joannides, On, around, and after a New Drawing by Raphael, in Master Drawings, 43, 2005 pp. 356-371
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Donal Cooper, Raphael's Ansidei altarpiece in the National Gallery, in Burlington Magazine, 146, 2004 pp. 720-731
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Arnold Nesselrath, Lotto as Raphael's collaborator in the Stanza di Eliodoro, in Burlington Magazine, 146, 2004 pp. 732-741
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Donal Cooper, New documents for Raphael and his patrons in Perugia, in Burlington Magazine, 146, 2004 pp. 742-744
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Tom Henry, Raphael's 'Siege of Perugia', in Burlington Magazine, 146, 2004 pp. 745-748
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Paul Joannides, Raphael: a sorority of Madonnas, in Burlington Magazine, 146, 2004 pp. 749-752
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Louis A. Waldman, A Raphael riddle resolved, in Burlington Magazine, 146, 2004 pp. 753-757
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Jill Dunkerton and Ashok Roy, The altered background of Raphael's 'Portrait of Pope Julius II' in the National Gallery, in Burlington Magazine, 146, 2004 pp. 757-759
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Kathleen Wren Christian, Raphael's 'Philemon' and the collecting of antiquities in Rome, in Burlington Magazine, 146, 2004 pp. 760-763
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Tom Henry and Carol Plazzotta, Raphael: From Urbino to Rome, in Hugo Chapman, Tom Henry, and Carol Plazzotta, Raphael, London, 2004, pp 15-65
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Arnold Nesselrath, Raphael and Pope Julius II, in Hugo Chapman, Tom Henry, and Carol Plazzotta, Raphael, London, 2004, pp 280-293
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Nicholas Penny, Raphael and the Early Victorians, in Hugo Chapman, Tom Henry, and Carol Plazzotta, Raphael, London, 2004, pp 294-303
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Minna Moore Ede, Chronology, in Hugo Chapman, Tom Henry, and Carol Plazzotta, Raphael, London, 2004, pp 304-306
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Tom Henry, Raphael's altar-piece patrons in Città di Castello, in Burlington Magazine, 144, 2002 pp. 268-278
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Michael Rohlmann, Von allen Seiten gleich Nackt. Raffaels Kompositionskunst in der Loggia di Psiche der Villa Farnesina, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2002, pp 71-92
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Donal Cooper, Raphael's Altar-Pieces in S. Francesco al Prato, Perugia: Patronage, Setting and Function, in Burlington Magazine, 143, 2001 pp. 554-561
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Laura C. Agoston, Transfiguring Raphael: Identity, Authenticity & the Persona of Christ, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 115-122
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Jeffrey Fontana, Federico Barocci's Emulation of Raphael in the Fossombrone Madonna & Child with Saints, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 183-190
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Gyde Shepherd, Raphael's "Space-Composition": From the Piccolomini Library to the Sistine Tapestries, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 289-296
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Margriet van Eikema Hommes, Discoloration or chiaroscuro? An interpretation of the dark areas in Raphael's Transfiguration of Christ, in Simiolus, 28, 2000-2001 pp. 4-43
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Michael Rohlmann, Kontinuität und Künstlerwettstreit in den Bildern der Sixtinischen Kapelle, in Roland Krischel (ed.), Wallraf_richartz-Jahrbuch, Köln, 1999, pp 163-196
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Achim Gnann, A New Attribution to Raphael, in Master Drawings, 36, 1998 pp. 198-204
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Sharon Fermor, Alan Derbyshire, The Raphael Tapestry Cartoons Re-Examined, in Burlington Magazine, 140, 1998 pp. 236-250
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Michael Schwartz, Raphael's Authorship in the Expulsion of Heliodorus, in Art Bulletin, 79, 1997 pp. 467-492
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Marcin Fabianski, Correggio's Angel in Parma Cathedral, "Ganymede," and Raphael, in Master Drawings, 35, 1997 pp. 50-53
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Achim Gnann, Domenico Laurenza, Raphael's Influence on Michiel Coxcie: Two New Drawings and a Painting, in Master Drawings, 34, 1996 pp. 292-302
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Daniel Orth Bell, New Identifications in Raphael's School of Athens, in Art Bulletin, 77, 1995 pp. 639-646
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Ingrid D. Rowland, Raphael, Angelo Colocci, and the Genesis of the Architectural Orders, in Art Bulletin, 76, 1994 pp. 81-104
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Arnold Nesselrath, Raphael's Gift to Dürer, in Master Drawings, 31, 1993 pp. 376-389
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Carmen Bambach Cappel, A Substitute Cartoon for Raphael's "Disputa", in Master Drawings, 30, 1992 pp. 9-30
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Sylvia Ferino-Pagden, Raphael's Heliodorus vault and Michelangelo's Sistine ceiling: an old controversy and a new drawing, in Burlington Magazine, 132, 1990 pp. 195-204
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Carol F. Lewine, Aries, Taurus, and Gemini in Raphael's Sacrifice at Lystra, in Art Bulletin, 72, 1990 pp. 271-283
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Sylvie Béguin, Concerning Raphael's St. Nicholas of Tolentino Altarpiece, in Art Bulletin, 69, 1987 pp. 467-468
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Edwin Hall, Reply, in Art Bulletin, 69, 1987 pp. 468-469
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Riccardo Pacciani, New Information on Raphael and Giuliano Leno in the Diplomatic Correspondence of Alfonso I d'Este, in Art Bulletin, 67, 1985 pp. 137-145
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Bernice F. Davidson, Pius IV and Raphael's Logge, in Art Bulletin, 66, 1984 pp. 382-389
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Johann Konrad Eberlein, The Curtain in Raphael's Sistine Madonna, in Art Bulletin, 65, 1983 pp. 61-77
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Amy Golahny, Rembrandt's Early Bathsheba: The Raphael Connection, in Art Bulletin, 65, 1983 pp. 671-675
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Amy Golahny, Rembrandt's Early Bathsheba: The Raphael Connection, in Art Bulletin, 65, 1983 pp. 671-675
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John Shearman, Raphael, Rome, and the Codex Escurialensis, in Master Drawings, 15, 1977 pp. 107-146+189-196
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Burton Fredericksen, New Information on Raphael's "Madonna di Loreto", in The J. Paul Getty Museum Journal, 3, 1976 pp. 5-45
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L.C.J. Frerichs, Een studie voor Rafaëls 'transfiguratie' voor het Rijksprentenkabinet, in Bulletin van het Rijksmuseum, 19, 1971 pp. 165-172
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L.D. Couprie, Rafaels 'Sposalizio'. Een mathematische analyse van de compositie, in Simiolus, 2, 1967-68 pp. 134-144
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Dr. Hans Schneider, Raffael und Lievens, in Oud Holland, 35, 1917 pp. 34-42
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Theodor von Frimmel, Ein Pentiment bei Raffael, in Blätter für Gemäldekunde, 1, 1904-1905 pp. 17-21
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