Michelangelo (1475 - 1564)
Italian sculptor, painter, architect, poet, and engineer of the High RenaissanceArticles on Michelangelo
| Joost Keizer, Michelangelo, Drawing, and the Subject of Art, in Art Bulletin, 93, 2011 pp. 304-324 |
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| Martha Dunkelman, From Microcosm to Macrocosm: Michelangelo and Ancient Gems, in Zeitschrift für Kunstgeschichte, 73, 2010 pp. 363-376 |
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| Kim E. Butler, The immaculate body in the Sistine ceiling, in Art History, 32, 2009 pp. 250-289 |
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| Patricia Rubin, 'Che è di questo culazzino!': Michelangelo and the Motif of the Male Buttocks in italian Renaissance Art, in Oxford Art Journal, 32, 2009 pp. 427-446 |
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| Joost Keizer, Giuliano Salviati, Michelangelo and the 'David', in Burlington Magazine, 150, 2008 pp. 664-668 |
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| Giovanni Careri, Time of history and time out of history: the Sistine Chapel as 'theoretical object', in Art History, 30, 2007 pp. 326-348 |
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| Paul Joannides and Véronique Burnod, A Drawing by Michelangelo Reappears, in Master Drawings, 45, 2007 pp. 236-240 |
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| Linda A. Koch, Michelangelo's Bacchus and the Art of Self-Formation, in Art History, 29, 2006 pp. 345-386 |
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| Mary Bergstein, Freud's Moses of Michelangelo: Vasari, Photography, and Art Historical Practice, in Art Bulletin, 88, 2006 pp. 158-176 |
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| William E. Wallace, Michelangelo's Baby, in Master Drawings, 44, 2006 pp. 358-361 |
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| Michael Hirst, The marble for Michelangelo's Taddei tondo, in Burlington Magazine, 147, 2005 pp. 548-549 |
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| Monique Verber, Een Michelangelo in het Rijksmuseum?, in Bulletin van het Rijksmuseum, 52, 2004 pp. 115-129 |
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| Maria Ruvoldt, Michelangelo's Dream, in Art Bulletin, 85, 2003 pp. 86-113 |
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| Irving Lavin, Michelangelo's Florence Pietà, in Art Bulletin, 85, 2003 pp. 814 |
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| Michael Cole, Response, in Art Bulletin, 85, 2003 pp. 814 |
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| Paul Joannides, Two Drawings Related to Michelangelo's "Hercules and Antaeus", in Master Drawings, 41, 2003 pp. 105-118 |
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| Paul Joannides, Michelangelo's 'Cupid': a correction, in Burlington Magazine, 145, 2003 pp. 579-580 |
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| Claudia Echinger-Maurach, Michaelangelo's monument for Julius II in 1534, in Burlington Magazine, 145, 2003 pp. 336-344 |
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| Fredrika Jacobs, (Dis)assembling: Marsyas, Michelangelo, and the Accademia del Disegno, in Art Bulletin, 84, 2002 pp. 426-448 |
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| Stephen J. Campbell, "Fare una Cosa Morta Parer Viva": Michelangelo, Rosso, and the (Un)Divinity of Art, in Art Bulletin, 84, 2002 pp. 596-620 |
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| Philipp Fehl, Himmlisches Erstaunen, in Herausgegeben vom Bundesdenkmalamt Wien und vom Institut für Kunstgeschihte Wien, Wiener Jahrbuch für Kunstgeschichte, Wien; Köln; Weimar, 2002, pp 47-66 |
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| A. Lawrence Jenkens, Michelangelo, the Piccolomini and Cardinal Francesco's chapel in Siena Cathedral, in Burlington Magazine, 144, 2002 pp. 752-754 |
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| Paul Joannides, On Michelangelo's Stoning of St. Stephen, in Master Drawings, 39, 2001 pp. 3-11 |
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| David J. Drogin, "Lo Spirito di Donato": Young Michelangelo & the Sculpture of Donatello, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 149-156 |
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| Geraldine A. Johnson, Michaelangelo, Fortunetelling & the Formation of Artistic Canons in Fanti's Triompho di Fortuna, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 199-205 |
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| Alexander Nagel, Christ in Ecstasy: The Passion According to Michelangelo & Rosso, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 243-250 |
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| Fredrika H. Jacobs, Aretino and Michelangelo, Dolce and Titian: Femmina, Masculo, Grazia, in Art Bulletin, 82, 2000 pp. 51-67 |
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| Michael Hirst, Michelangelo in Florence: 'David' in 1503 and 'Hercules' in 1506, in Burlington Magazine, 142, 2000 pp. 487-492 |
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| Michaël J. Amy, The Dating of Michelangelo's St Matthew, in Burlington Magazine, 142, 2000 pp. 493-496 |
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| Irene Baldriga, The First Version of Michelangelo's Christ for S. Maria Sopra Minerva, in Burlington Magazine, 142, 2000 pp. 740-745 |
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| Michael Rohlmann, Kontinuität und Künstlerwettstreit in den Bildern der Sixtinischen Kapelle, in Roland Krischel (ed.), Wallraf_richartz-Jahrbuch, Köln, 1999, pp 163-196 |
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| Moshe Arkin, "One of the Marys. . . ": An Interdisciplinary Analysis of Michelangelo's Florentine Pietà, in Art Bulletin, 79, 1997 pp. 493-517 |
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| Alexander Nagel, Gifts for Michelangelo and Vittoria Colonna, in Art Bulletin, 79, 1997 pp. 647-668 |
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James David Draper, Ango after Michelangelo, in Burlington Magazine, 139, 1997 pp. 398-400
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| Kathleen Weil-Garris Brandt, More on Michelangelo and the Manhattan Marble, in Burlington Magazine, 139, 1997 pp. 400-399
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| Paul Joannides, Michelangelo: The Magnifici Tomb and the Brazen Serpent, in Master Drawings, 34, 1996 pp. 148-167 |
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| Kathleen Weil-Garris Brandt, A Marble in Manhattan: The Case for Michelangelo, in Burlington Magazine, 138, 1996 pp. 644-659
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| Giovanni Agosti and Michael Hirst, Michelangelo, Piero d'Argenta and the 'Stigmatisation of St Francis', in Burlington Magazine, 138, 1996 pp. 683-684
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| Peta Evelyn, 'Broken and Repaired': Michelangelo's Wax Slave in the Victoria and Albert Museum, in Burlington Magazine, 138, 1996 pp. 809-812
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| Bernadine Barnes, Metaphorical Painting: Michelangelo, Dante, and the Last Judgment, in Art Bulletin, 77, 1995 pp. 65-81 |
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| Marcia Hall, Leo Steinberg, "Who's Who in Michelangelo's Creation of Adam" Continued, in Art Bulletin, 75, 1993 pp. 340-344 |
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| David Ekserdjian, Parmigianino and Michelangelo, in Master Drawings, 31, 1993 pp. 390-394 |
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| Leo Steinberg, Who's Who in Michelangelo's Creation of Adam: A Chronology of the Picture's Reluctant Self-Revelation, in Art Bulletin, 74, 1992 pp. 552-566 |
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| Andrew Morrogh, The Magnifici Tomb: A Key Project in Michelangelo's Architectural Career, in Art Bulletin, 74, 1992 pp. 567-598 |
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| Paul Joannides, A Newly Unveiled Drawing by Michelangelo and the Early Iconography of the Magnifici Tomb, in Master Drawings, 29, 1991 pp. 255-262 |
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| Sylvia Ferino-Pagden, Raphael's Heliodorus vault and Michelangelo's Sistine ceiling: an old controversy and a new drawing, in Burlington Magazine, 132, 1990 pp. 195-204 |
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| Howard Coutts, A copy of a lost drawing by Michelangelo, in Burlington Magazine, 132, 1990 pp. 215 |
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| Michael Viktor Schwarz, Der Kupferstich "Le Christ au coup de poing": Rubens antwortet Michelangelo, in Ernst Bacher, Gerhard Schmidt (eds.), Wiener Jahrbuch für Kunstgeschichte, Wien, Köln, 1990, pp 111-128 |
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| Cecil Gould, A New Portrait Attribution to Michelangelo, in Master Drawings, 27, 1989 pp. 303-309 |
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| Valerie Shrimplin-Evangelidis, Michelangelo and Nicodemism: The Florentine Pietà, in Art Bulletin, 71, 1989 pp. 58-66
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| Leo Steinberg, Michelangelo's Florentine Pietà: The Missing Leg Twenty Years After, in Art Bulletin, 71, 1989 pp. 480-505
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| Frederick Hartt, "L'ultima mano" on the Sistine Ceiling, in Art Bulletin, 71, 1989 pp. 508-509
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| Bernadine Barnes, A Lost Modello for Michelangelo's "Last Judgment", in Master Drawings, 26, 1988 pp. 239-248 |
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| James Beck, The Final Layer: "L'ultima mano" on Michelangelo's Sistine Ceiling, in Art Bulletin, 70, 1988 pp. 502-503
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| Carmen Bambach Cappel, Michelangelo's Cartoon for the "Crucifixion of St. Peter" Reconsidered, in Master Drawings, 25, 1987 pp. 131-142 |
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| William E. Wallace, Two Presentation Drawings for Michelangelo's Medici Chapel, in Master Drawings, 25, 1987 pp. 242-260 |
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| Michael Hirst, A Note on Michelangelo and the S. Lorenzo Façade, in Art Bulletin, 68, 1986 pp. 323-326
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| Caterina Pirina, Michelangelo and the Music and Mathematics of His Time, in Art Bulletin, 67, 1985 pp. 368-382
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| David Alan Robertson, Michelangelo's Saint Proculus 'Reconstructed', in Art Bulletin, 65, 1983 pp. 658-660
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| Carmen C. Bambach, A Note on Michelangelo's Cartoon for the Sistine Ceiling: Haman, in Art Bulletin, 65, 1983 pp. 661-665
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| Edith Balas, Michelangelo's Florentine Slaves and the S. Lorenzo Façade, in Art Bulletin, 65, 1983 pp. 665-671
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| Eugenio Battisti and Mary Lou Krumrine, "Desiderare una ignuda". Giorgione e Michelangelo attraverso l'indagine cinesica, in Artibus et Historiae, 6, 1982 pp. 37-73
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| Michael Hirst, A Project of Michelangelo's for the Tomb of Julius II, in Master Drawings, 14, 1976 pp. 375-382, 427-430 |
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Articles with substantial mentioning of Michelangelo
| Annette Wickham, Thomas Lawrence and the Royal Academy's cartoon of 'Leda and the swan' after Michelangelo, in Burlington Magazine, 152, 2010 pp. 297-302 |
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| Howard Saalman, The New Sacristy of San Lorenzo before Michelangelo, in Art Bulletin, 67, 1985 pp. 199-228
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