| Jennifer A. Greenhill, Winslow Homer and the mechanics of visual deadpan, in Art History, 32, 2009 pp. 351-386
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| Marc Simpson, Sterling and Stephen Clark as Collectors of Winslow Homer, in Michael Conforti, James A. Ganz, Neil Harris, Sarah Lees, and Gilbert T. Vincent, The Clark Brothers Collect, Williamstown, Mass.; New Haven and London, 2006, pp 233-243
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| Kenneth Haltman, Antipastoralism in Early Winslow Homer, in Art Bulletin, 80, 1998 pp. 93-112
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| Paul Raymond Provost, Drawn toward Europe: Winslow Homer's Work in "Black and White", in Master Drawings, 31, 1993 pp. 35-46
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| Henry Adams, The identity of Winslow Homer's 'mystery woman', in Burlington Magazine, 132, 1990 pp. 244-252
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