John P. Lambertson, Friendship in the Romantic studio: Charles-Emile Champmartin's 'Portrait of Eugène Delacroix and Alphonse Vée', in Burlington Magazine, 151, 2009 pp. 293-297
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Michèle Hannoosh and Bertrand and Lorraine Servois, Delacroix, 'J.' and ' Still life with lobsters', in Burlington Magazine, 151, 2009 pp. 595-606
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Jennifer W. Olmsted, The Sultan's Authority: Delacroix, Painting, and Politics at the Salon of 1845, in Art Bulletin, 91, 2009 pp. 83-106
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Michael Rohlmann, Delacroix' Liberté. Die Erlösung der Bilder, in , Wallraf-Richartz-Jahrbuch, Köln, 2009, pp 223-244
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Amy Kurlander, Delacroix's Normandy Sketchbook of 1829, in Master Drawings, 47, 2009 pp. 414-432
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Colta Ives, Remarkable Miniatures in Delacroix's Stable of Agitated Horses, in Master Drawings, 47, 2009 pp. 474-477
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Patrick Noon, Bonington, Delacroix, and Rubens, in Master Drawings, 47, 2009 pp. 493-497
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Louis-Antoine Prat, Delacroix: The Sultan and Charles the Bold, in Master Drawings, 47, 2009 pp. 493-497
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Margaret MacNamidhe, Delécluze's Response to Delacroix's Scenes from the Massacres at Chios (1824), in Art Bulletin, 89, 2007 pp. 63-81
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Nina Athanassoglou-Kallmyer, Cézanne and Delacroix's Posthumous Reputation, in Art Bulletin, 87, 2005 pp. 111-129
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Michèle Hannoosh, An unpublished letter from Sir Thomas Lawrence to Delacroix, in Burlington Magazine, 146, 2004 pp. 323-326
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Lee Johnson, Towards a reconstruction of Delacroix's Mornay Album, in Burlington Magazine, 145, 2003 pp. 92-95
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Lee Johnson, A New Study by Delacroix for the Salon du Roi, in Master Drawings, 40, 2002 pp. 249-254
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Lee Johnson, Two Orientalist water-colours by Delacroix, in Burlington Magazine, 144, 2002 pp. 226-228
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Nina Athanassoglou-Kallmyer, Blemished Physiologies: Delacroix, Paganini, and the Cholera Epidemic of 1832, in Art Bulletin, 83, 2001 pp. 686-710
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Lee Johnson, Some sketches made by Delacroix at Dieppe, in Burlington Magazine, 143, 2001 pp. 224-227
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Andrew Carrington Shelton, Ingres versus Delacroix, in Art History, 23, 2000 pp. 726-742
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Lee Johnson, Eugène Delacroix and Charles V, in Burlington Magazine, 142, 2000 pp. 544-548
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Arlette Sérullaz, Chronology, in Arlette Sérullaz, Vincent Pomarède, Joseph J. Rishel, Lee Johnson, Louis-Antoine Prat, David Liot, Delacroix, New York; Philadelphia, PA, 1998, pp 16-25
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Lee Johnson, The Late Work: Continuity and Variation, in Arlette Sérullaz, Vincent Pomarède, Joseph J. Rishel, Lee Johnson, Louis-Antoine Prat, David Liot, Delacroix, New York; Philadelphia, PA, 1998, pp 28-35
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Arlette Sérullaz, Eugène Delacroix as Seen by His Contemporaries, in Arlette Sérullaz, Vincent Pomarède, Joseph J. Rishel, Lee Johnson, Louis-Antoine Prat, David Liot, Delacroix, New York; Philadelphia, PA, 1998, pp 36-46
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Vincent Pomarède, Eugène Delacroix: The State, Collectors, and Dealers, in Arlette Sérullaz, Vincent Pomarède, Joseph J. Rishel, Lee Johnson, Louis-Antoine Prat, David Liot, Delacroix, New York; Philadelphia, PA, 1998, pp 47-61
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Joseph J. Rishel, Delacroix and America, in Arlette Sérullaz, Vincent Pomarède, Joseph J. Rishel, Lee Johnson, Louis-Antoine Prat, David Liot, Delacroix, New York; Philadelphia, PA, 1998, pp 62-74
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David Liot, The Technique of Eugène Delacroix: A Historical Approach, in Arlette Sérullaz, Vincent Pomarède, Joseph J. Rishel, Lee Johnson, Louis-Antoine Prat, David Liot, Delacroix, New York; Philadelphia, PA, 1998, pp 384-394
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Lee Johnson and Michele Hannoosh, Delacroix's 'Hercules Cycle' in the Salon de la Paix of the Hôtel de Ville, Paris, in Burlington Magazine, 139, 1997 pp. 256-257
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Lee Johnson, Delacroix's 'Jewish Bride', in Burlington Magazine, 139, 1997 pp. 755-759
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Lee Johnson, Delacroix chez les Scythes, in Burlington Magazine, 138, 1996 pp. 31
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Lee Johnson, Three Copies after Delacroix, by Delacroix, in Burlington Magazine, 138, 1996 pp. 246-248
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Henri Loyrette, Les Scythes chez Delacroix, in Burlington Magazine, 138, 1996 pp. 256
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Lee Johnson, 'The Last Scene of "Don Giovanni" ': A Newly Discovered Delacroix, in Burlington Magazine, 138, 1996 pp. 605-607
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Lee Johnson, Where Delacroix painted the 'Massacres de Scio', in Burlington Magazine, 132, 1990 pp. 538-539
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Lee Johnson, Eugène Delacroix's "Education of Achilles", in The J. Paul Getty Museum Journal, 16, 1988 pp. 25-32
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Anita Hopmans, Delacroix's decorations in the Palais Bourbon library: a classic example of an unacademic approach, in Simiolus, 17, 1987 pp. 240-269
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Roy Howard Brown, The Formation of Delacroix's Hero between 1822 and 1831, in Art Bulletin, 66, 1984 pp. 237-254
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William A. Steinke, An Archaeological Source of Delacroix's Death of Sardanapalus, in Art Bulletin, 66, 1984 pp. 318-320
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Sandra K. Stelts, Delacroix on Ingres: A Caricature, in Master Drawings, 20, 1982 pp. 374-376, 422
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Eve Twose Kliman, Delacroix's Lions and Tigers: A Link between Man and Nature, in Art Bulletin, 64, 1982 pp. 446-466
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Peter Schatborn, Krijtrotsen bij Dieppe door Delacroix, in Bulletin van het Rijksmuseum, 23, 1975 pp. 113-114
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Günter Busch, Christian von Heusinger und Henning Bock, Zu Werken Delacroix' in der Kunsthalle Bremen, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1966, pp 91-92
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Christian von Heusinger, Skizzen und Studien zu frühen Gemälden von Delacroix, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1966, pp 93-104
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Henning Bock, Zeichnungen zum Salon du Roi im Palais Bourbon von Delacroix, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1966, pp 105-115
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Günter Busch, Delacroix und Rembrandt zur religiösen Bildwelt des Künstlers, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1966, pp 116-128
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B. Polak, De invloed van enige monumenten der Oudheid op het classicisme van David, Ingres en Delacroix, in J.G. van Gelder, J.Q. van Regteren Altena, S.J. Gudlaugsson (eds.), Nederlands kunsthistorisch jaarboek 1948-1949, 's-Gravenhage, 1949, pp 287-315
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