Sarah Symmons, Raeburn and Goya: The Redefinition of Artistic Personality, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 258-285
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Mercedes Cerón, Goya's lost snuffbox, in Burlington Magazine, 152, 2010 pp. 675-677
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Anja Lemke, Aufklärung im Bild, Zur Rhetorik der Einbildungskraft in Goyas Capricho 43, in Alexandra Kleihues, Barbara Naumann, Edgar Pankow (eds.), Intermedien, Zürich, 2010, pp 167-188
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Andrew Schulz, Moors and the Bullfight: History and National Identity in Goya's Tauromaquia, in Art Bulletin, 90, 2008 pp. 195-217
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Andreas Prater, Über das Schwarz in Goyas Malerei, in Götz Pochat, Brigitte Wagner (eds.), Schwatz, Graz, 2004, pp 19-34
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Isadora Rose-De Viejo, More on Goya's portrait of Alberto Foraster, in Burlington Magazine, 145, 2003 pp. 82-87
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Andrew Schulz, Satirizing the Senses: The Representation of Perception in Goya's Los Caprichos, in Art History, 23, 2000 pp. 152-181
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Andrew Schulz, The Expressive Body in Goya's Saint Francis Borgia at the Deathbed of an Impenitent, in Art Bulletin, 80, 1998 pp. 666-686
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Bodo Vischer, Goya's Still Lifes in the Yumuri Inventory, in Burlington Magazine, 139, 1997 pp. 121-123
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Isadora Rose-De Viejo, Jean-Louis Gintrac and Goya's 'La Boda', in Burlington Magazine, 139, 1997 pp. 529-535
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Juliet Wilson-Bareau, Goya in The Metropolitan Museum, in Burlington Magazine, 138, 1996 pp. 95-103
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Nigel Glendinning, A Footnote to Goya's "Portrait of the Marquesa de Santiago", in The J. Paul Getty Museum Journal, 14, 1986 pp. 149-150
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Burton B. Fredericksen, Goya's "Portrait of the Marquesa de Santiago": A Correction, in The J. Paul Getty Museum Journal, 14, 1986 pp. 151
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Selma Holo, An Unsuspected Poseur in a Goya Drawing, in The J. Paul Getty Museum Journal, 13, 1985 pp. 105-108
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Burton B. Fredericksen, Goya's Portraits of the marqueses de Santiago and de San Adrián, in The J. Paul Getty Museum Journal, 13, 1985 pp. 133-140
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Nigel Glendinning, Goya's Portrait of the Marquesa de Santiago, in The J. Paul Getty Museum Journal, 13, 1985 pp. 141-146
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Eleanor Sayre, The Portrait of the Marquesa de Santiago and Ceán's Criticism of Goya, in The J. Paul Getty Museum Journal, 13, 1985 pp. 147-149
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Selma Holo, Goya's "Despreciar los Ynsultos" Interpreted, in The J. Paul Getty Museum Journal, 11, 1983 pp. 89-94
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Dieuwke de Hoop Scheffer, El Agarrotado (De Gewurgde) door Goya, in Bulletin van het Rijksmuseum, 23, 1975 pp. 93-95
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Campbell Dodgson, Some undescribes states of Goya's etchings, in The Print Collector's Quarterly, 14, 1927 pp. 31-45
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