Dita Amory (ed.) Pierre Bonnard, The late still lifes and interiors New York; New Haven and London, 2009 |
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Rémi Labrusse Bonnard, quand il dessine, Suivi de, Bonnard, Mallarme [Paris], 2006 |
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Colta Ives, Helen Giambruni, Sasha M. Newman Pierre Bonnard, The Graphic Art New York, 1989 |
Richard R. Brettell, Paul Hayes Tucker, Natalie H. Lee The Robert Lehman Collection, III Nineteenth- and Twentieth-Century Paintings New York; Princeton, 2009 |
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Rudolf Koella und Felix Billeter Verborgene Meisterwerke, R. & H. Batliner Art Foundation Vaduz Wien, 2005 |
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Emily Braun The Hillman Family Collection, Manet to Matisse New York; Seattle and London, 1994 |
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Dita Amory, The Presence of Objects: Still Life in Bonnard's Late Paintings, in Dita Amory (ed.), Pierre Bonnard, New York; New Haven and London, 2009, pp 3-29 |
Rémi Labrusse, A Desire for Dispossession: Portrait of the Artist as a Reader of Mallarmé, in Dita Amory (ed.), Pierre Bonnard, New York; New Haven and London, 2009, pp 31-45 |
Jack Flam, Bonnard in the History of Twentieth-Century Art, in Dita Amory (ed.), Pierre Bonnard, New York; New Haven and London, 2009, pp 47-59 |
Jacqueline Munck, "The Cat Drank All the Milk!": Bonnard's Continuous Present, in Dita Amory (ed.), Pierre Bonnard, New York; New Haven and London, 2009, pp 61-67 |
Rika Burnham, Intelligent Seeing, in Dita Amory (ed.), Pierre Bonnard, New York; New Haven and London, 2009, pp 69-77 |
Marije Vellekoop, Acquisitions of prints by Gauguin and the Nabis at the Van Gogh Museum, Amsterdam, in Burlington Magazine, 147, 2005 pp. 184-186 |
2009 | Pierre Bonnard: The Late Interiors | |
Born: | 1867 | |
Fontenay-aux-Roses | ||
Died: | 1947 | |
Le Cannet | ||
ULAN: | 500115555 |