Gustav Klimt (1862 - 1918)
Austrian painter and draftsmanArticles on Gustav Klimt
| Elizabeth Clegg, Klimt 2012: the 150th anniversary exhibitions in Vienna, in Burlington Magazine, 154, 2012 pp. 570-576 |
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| Tobias G. Natter, Klimt: Up Close and Personal, The Master and his Oeuvre, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 6-13 |
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| Wolfgang Georg Fischer, "Dear Emilie!", Klimt writes to Emilie Flöge, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 16-49 |
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| Hansjörg Krug, Klimt and his Correspondence, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 50-59 |
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| Sandra Tretter, Peter Weinhäupl, "I long to be gone like never before" - Klimt's Sommerfrische on Lake Attersee, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 60-83 |
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| Uwe Schögl, Klimt in Contemporary Photographs, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 84-97 |
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| Ernst Ploil, The Studios of Gustav Klimt, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 98-107 |
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| Verena Traeger, Klimt as a Collector, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 108-125 |
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| Diethard Leopold, The Despondent Eroticist, Shedding psychological light on Gustav Klimt, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 126-143 |
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| Stefan Kutzenberger, "The Pleasure of Being Beaten", Gustav Klimt, Franz Blei and Lucian's Dialogues of the Hetaerae, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 144-163 |
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| Elisabeth Leopold, Gustav Klimt at the Leopold Museum, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 164-173 |
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| edited by Franz Smola, Quotes and Images, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 174-303 |
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| Sandra Tretter, Birgit Summerauer, Correspondence written by Klimt to Emilie Flöge 1897-1917, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 306-409 |
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| Birgit Summerauer, Biography, in Tobias G. Natter, Franz Smola and Peter Weinhäupl (eds.), Klimt, Wien, 2012, pp 414-418 |
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| Tobias G. Natter, Gustav Klimt: No More Than a Goldsmith?, The Cross-Pollination of Painting, Architecture and the Applied Arts in Vienna around 1900, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 13-23 |
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| Esther da Costa Meyer, Gesamtkunstwerk, or the Politics of Wholeness, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 25-31 |
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| Christoph Grunenberg, Luxury and Degradation: Staging Klimt, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 33-41 |
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| Beatriz Colomina, Sex, Lies and Decoration, Adolf Loos and Gustav Klimt, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 43-51 |
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| Eva Winkler, The Beethoven Frieze, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 80-99 |
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| Elizabeth Clegg, The Villa Henneberg, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 132-147 |
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| Elizabeth Clegg, The Gallia Apartment, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 148-161 |
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| Elizabeth Clegg, Karl Wittgenstein and the Wittgenstein Family, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 162-169 |
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| Elizabeth Clegg, Eugenia and Otto Primavesi, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 182-191 |
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| Elizabeth Clegg, The Artist's Studio, Gustav Klimt and Egon Schiele, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 192-199 |
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| Elizabeth Clegg, Gustav Klimt and Landscape, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 200-213 |
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| Tobias G. Natter, Chronology, in Tobias G. Natter and Christoph Grunenberg (eds.), Gustav Klimt, London, 2008, pp 233-235 |
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| Colin B. Bailey, Prolegomena: A Klimt for the Twenty-first Century, in Colin B. Bailey (ed.), Gustav Klimt, Modernism in the Making, New York, 2001, pp 12-17 |
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| Peter Vergo, Between Modernism and Tradition: The Importance of Klimt's Murals and Figure Paintings, in Colin B. Bailey (ed.), Gustav Klimt, Modernism in the Making, New York, 2001, pp 18-39 |
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| Emily Braun, Klimtomania/Klimtophobia, in Colin B. Bailey (ed.), Gustav Klimt, Modernism in the Making, New York, 2001, pp 40-53 |
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| Jane Kallir, "High" and "Low" in Imperial Vienna: Gustav Klimt and the Applied Arts, in Colin B. Bailey (ed.), Gustav Klimt, Modernism in the Making, New York, 2001, pp 54-67 |
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| M.E. Warlick, Mythic Rebirth in Gustav Klimt's Stoclet Frieze: New Considerations of Its Egyptianizing Form and Content, in Art Bulletin, 74, 1992 pp. 115-134 |
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| Lisa Florman, Gustav Klimt and the Precedent of Ancient Greece, in Art Bulletin, 72, 1990 pp. 310-326 |
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| Marian Bisanz-Prakken, Jan Toorop en Gustav Klimt, in P. Hecht, P. Hefting, E. de Jongh (eds.), 19de eeuwse Nederlandse schilderkunst, Haarlem, 1977, pp 175-209 |
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