Edgar Degas (1834 - 1917)
French painter, sculptor and printmaker. One of the founders of the impressionism.Articles on Edgar Degas
| Richard Kendall, Degas's sculpture in the twenty-first century, in Burlington Magazine, 154, 2012 pp. 268-271 |
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| Sarah Whitfield, Degas and the ballet, London, in Burlington Magazine, 154, 2012 pp. 51-52 |
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| André Dombrowski, History, Memory, and Instantaneity in Edgar Degas's Place de la Concorde, in Art Bulletin, 93, 2011 pp. 195-219 |
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Jenny Reynaerts and Stella Versluis-van Dongen, A Portrait of the Artist as a Young Man: Edgar Degas Inspired by Rembrandt, in The Rijksmuseum Bulletin, 59, 2011 pp. 102-133
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| Richard Kendall, 'Dans un café', 'Zigzags' and five recovered Impressionist drawings, in Burlington Magazine, 151, 2009 pp. 306-311 |
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| Elizabeth Easton and Jared Bark, 'Pictures properly framed': Degas and innovation in Impressionist frames, in Burlington Magazine, 150, 2008 pp. 603-611 |
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| Marilyn R. Brown, "Miss La La's" Teeth: Reflections on Degas and "Race", in Art Bulletin, 89, 2007 pp. 738-765 |
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| Felix Krämer, 'Mon tableau de genre': Degas's 'Le Viol' and Gavarni's 'Lorette', in Burlington Magazine, 149, 2007 pp. 323-325 |
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| Jill DeVonyar, Richard Kendall, The Class of 1881: Degas, Drawing, and the "Little Dancer Aged Fourteen", in Master Drawings, 41, 2003 pp. 151-162 |
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| Mari Kálmán Meller, Degas's 'Place de la Concorde: Vicomte Lepic and his daughters', in Burlington Magazine, 145, 2003 pp. 273-281 |
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| Henri Loyrette, Degas's Collection, in Burlington Magazine, 140, 1998 pp. 551-558 |
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| Jean Sutherland Boggs, Degas at the Races, in Jean Sutherland Boggs with contributions by Shelley G. Sturman and Daphne S. Barbour and Kimberly Jones, Degas at the races, Washington; New Haven and London, 1998, pp 14-177 |
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| Daphne S. Barbour and Shelley G. Sturman, The Horse in Wax and Bronze, in Jean Sutherland Boggs with contributions by Shelley G. Sturman and Daphne S. Barbour and Kimberly Jones, Degas at the races, Washington; New Haven and London, 1998, pp 180-207 |
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| Susan Sidlauskas, Resisting Narrative: The Problem of Edgar Degas's Interior, in Art Bulletin, 75, 1993 pp. 671-696 |
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| Marilyn R. Brown, Two New Degas Letters in New Orleans, in Art Bulletin, 73, 1991 pp. 313-314 |
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| Mari Kalman Meller, Exercises in and around Degas's Classrooms: Part II, in Burlington Magazine, 132, 1990 pp. 253-265 |
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| Marilyn R. Brown, The DeGas-Musson Papers at Tulane University, in Art Bulletin, 72, 1990 pp. 118-130 |
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| Norma Broude, Edgar Degas and French Feminism, ca. 1880: "The Young Spartans," the Brothel Monotypes, and the Bathers Revisited, in Art Bulletin, 70, 1988 pp. 640-659
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| Linda Nochlin and Carol Salus, Degas' Young Spartans Exercising, in Art Bulletin, 68, 1986 pp. 486-488
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| Carol Salus, Degas' Young Spartans Exercising, in Art Bulletin, 67, 1985 pp. 501-506
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| Alicia Faxon, Two Rediscovered Portraits of Degas, in Master Drawings, 20, 1982 pp. 376-380, 423 |
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| Marc Gerstein, Degas's Fans, in Art Bulletin, 64, 1982 pp. 105-118
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| J. Verbeek, Edgar Degas. Drie vrouwen in een bordeel, in Bulletin van het Rijksmuseum, 15, 1967 pp. 139-140 |
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