Pieter Bruegel the Elder (1525/30 - 1569)
Flemish Renaissance painter and printmakerArticles on Pieter Bruegel the Elder
| Margaret A. Sullivan, Bruegel the Elder, Pieter Aertsen, and the Beginnings of Genre, in Art Bulletin, 93, 2011 pp. 127-149 |
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Margaret A. Sullivan, Bosch, Bruegel, Everyman and the Northern Renaissance, in Oud Holland, 121, 2008 pp. 117-146
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| Daniela Bohde, Pieter Bruegels Macchia und Hans Sedlmayrs physiognomisches Sehen, Psychologische Interpretationsmodelle von Hans Sedlmayr, in Herausgegeben vom Bundesdenkmalamt Wien und vom Institut für Kunstgeschihte Wien, Wiener Jahrbuch für Kunstgeschichte, Wien; Köln; Weimar, 2008, pp 239-261 |
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| Joanne Morra, Utopia lost: Allegory, ruins and Pieter Bruegel's towers of Babel, in Art History, 30, 2007 pp. 198-216 |
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| Jürgen Müller, Bild und Zeit. Überlegungen zur Zeitgestalt in Pieter Bruegels "Bauernhochzeitsmahl", in Götz Pochat, Brigitte Wagner (eds.), Erzählte Zeit und Gedächtnis, Graz, 2005, pp 72-81 |
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| Walter S. Gibson, Festive peasants before Bruegel: three case studies and their implications, in Simiolus, 31, 2004-2005 pp. 292-309 |
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| Lyckle de Vries, Bruegel's Fall of Icarus: Ovid or Solomon, in Simiolus, 30, 2003 pp. 4-18 |
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| Margaret Sullivan, Proverbs and process in Bruegel's 'Rabbit hunt', in Burlington Magazine, 145, 2003 pp. 30-35 |
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| Hans-Joachim Raupp, Öokonomische Didaktik und Satire bei Pieter Bruegel dem Älteren. Anmerkungen zu Prudentia und zur Mageren und Fetten Küche, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2002, pp 237-258 |
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| Claudia Goldstein, Artifacts of domestic life, Bruegel's paintings in the Flemish home, in Jan de Jong, Bart Ramakers, Herman Roodenburg, Frits Scholten, Mariët Westermann (eds.), Wooncultuur in de Nederlanden/The Art of Home in the Netherlands, Zwolle, 2001, pp 173-193 |
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| Martin Royalton-Kisch, A Sketch for a "Journey to Emmaus" by Pieter Bruegel the Elder, in Master Drawings, 38, 2000 pp. 443-447 |
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| Roger van Schoute, Hélène Verougstraete, A Painted Wooden Roundel by Pieter Bruegel the Elder, in Burlington Magazine, 142, 2000 pp. 140-146 |
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| Pierre Vinken en Lucy Schlüter, Nogmaals Pieter Bruegels Nestrover, in Oud Holland, 113, 1999 pp. 169-174
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| Erich Unglaub, Der Sturz des Ikarus - ein Dichterschicksal?, in Euphorion, 92, 1998 pp. 457-482 |
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| Mark A. Meadow, Introduction, Putting Bruegel in His Place: Contextual Studies of Pieter Bruegel the Elder, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 6-13 |
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| Walter S. Melion, "Ego enim quasi obdormivi": Salvation and Blessed Sleep in Philip Galle's Death of the Virgin after Pieter Bruegel, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 14-53 |
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| Pierre Vinken en Lucy Schlüter, Pieter Bruegels Nestrover en de mens die de dood tegemoet treedt, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 54-79 |
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| B.A.M. Ramakers, Bruegel en de rederijkers, Schilderkunst en literatuur in de zestiende eeuw, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 80-105 |
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| Ursula Härting, De subventione pauperum, Zu Pieter Bruegels Caritas mit den sieben Werken der Barmherzigkeit von 1559, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 106-123 |
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| Larry Silver, Pieter Bruegel in the Capital of Capitalism, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 124-153 |
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| Ethan M. Kavaler, Pictorial Satire, Ironic Inversion, and Ideological Conflict:, Bruegel's Battle between the Piggy Banks and Strong Boxes, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 154-179 |
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| Mark A. Meadow, Bruegel's Procession to Calvary, Aemulatio and the Space of Vernacular Style, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 180-205 |
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| Joseph F. Gregory, Toward the Contextualization of Pieter Bruegel's Procession to Calvary. Constructing the Beholder From Within the Eyckian Tradition, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 206-221 |
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| Nina Eugenia Serebrennikov, Imitating Nature/Imitating Bruegel, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 222-246 |
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| Jürgen Müller, Bibliographie, in Jan de Jong, Mark Meadow, Herman Roodenburg, Frits Scholten (eds.), Pieter Bruegel, Zwolle, 1997, pp 247-271 |
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| Reindert L. Falkenburg, Pieter Bruegels Kruisdraging: een proeve van close-reading, in Oud Holland, 107, 1993 pp. 17-33 |
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| Dietz-Rüdiger Moser, Mit Pieter Brueghel in die Fastenzeit..., Ein neuentdeckter Kupferstich bestätigt die rein christliche Ausrichtung seines Gemäldes vom "Kampf zwischen Fastnacht und Fastenzeit" im Wiener Kunsthistorischen Museum, in Euphorion, 87, 1993 pp. 269-285 |
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| Heidy Greco-Kaufmann, Kampf des Karnevals gegen die Fasten, Pieter Bruegels Gemälde und die Diskussion um Karneval und Lachkultur, in Euphorion, 86, 1992 pp. 319-332 |
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| Margaret Sullivan, Bruegel's Proverbs: Art and Audience in the Northern Renaissance, in Art Bulletin, 73, 1991 pp. 431-466 |
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| Jetske Sybesma, The Reception of Bruegel's Beekeepers: A Matter of Choice, in Art Bulletin, 73, 1991 pp. 467-478 |
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| Iain Buchanan, The Collection of Niclaes Jongelinck, II The 'Months' by Pieter Bruegel the Elder, in Burlington Magazine, 132, 1990 pp. 541-550 |
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| Hans J. van Miegroet, The twelve months reconsidered: how a drawing by Pieter Stevens clarifies a Bruegel enigma, in Simiolus, 16, 1986 pp. 29-35 |
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| Linda Bauer and George Bauer, The Winter Landscape with Skaters and Bird Trap by Pieter Bruegel the Elder, in Art Bulletin, 66, 1984 pp. 145-150
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| Keith P.F. Moxey, Pieter Bruegel and The Feast of Fools, in Art Bulletin, 64, 1982 pp. 640-646
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| Konrad Oberhuber, Bruegel's Early Landscape Drawings, in Master Drawings, 19, 1981 pp. 146-156, 206-219 |
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| Margaret A. Sullivan, Peter Bruegel the Elder's Two Monkeys: A New Interpretation, in Art Bulletin, 63, 1981 pp. 114-126
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| Sandra Hindman, Pieter Bruegel's Children's Games, Folly, and Chance, in Art Bulletin, 63, 1981 pp. 447-475
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| Teréz Gerszi, Bruegels Nachwirkung auf die niederländischen Landschaftsmaler um 1600, in Oud Holland, 90, 1976 pp. 201-229 |
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| Roger van Schoute et Hélène Marcq-Verougstraete, Le dessin de peintre (dessin sous-jacent) chez Pierre Brueghel, in J.R.J. van Asperen de Boer, J.P. Filedt Kok (eds.), Scientific examination of early Netherlandish Painting, Bussum, 1976, pp 259-267 |
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| J.B. Bedaux and A. van Gool, Bruegel's Birthyear, Motive of an Ars/Natura Transmutation, in Simiolus, 7, 1974 pp. 133-156
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| Keith P.F. Moxey, The Fates and Pieter Bruegel's Triumph of Death, in Oud Holland, 87, 1973 pp. 49-51 |
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| E.H. Gombrich, Dürer, Vives and Bruegel, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 132-134 |
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| Fritz Grossmann, Notes on some Sources of Bruegel's Art, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 147-154 |
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| Charles de Tolnay, A Contribution to Bruegel the Elder as Draughtsman, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 326-327 |
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| Svetlana Alpers, Bruegel's Festive Peasants, in Simiolus, 6, 1972/73 pp. 163-176
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| J.J. Mak, De Wachter in het Rederijkersdrama, naar aanleiding van de tooneelvertooning op Bruegel's Temperantia, in Oud Holland, 64, 1949 pp. 162-172 |
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| Grete Ring, Eine Versuchung des Heiligen Antonius von Pieter Bruegel dem Aelteren, in Oud Holland, 51, 1934 pp. 14-24 |
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Articles with substantial mentioning of Pieter Bruegel the Elder
| H. Perry Chapman, Art Fiction, in Art History, 32, 2009 pp. 785-805 |
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| David Anfam, De Kooning, Bosch and Bruegel: some fundamental themes, in Burlington Magazine, 145, 2003 pp. 705-715 |
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| E. van der Vossen, De "Maandenreeks" van Pieter Bruegel den Ouden, in Oud Holland, 66, 1951 pp. 103-116 |
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