Marie-Cécile Forest, Samuel Mandin, Aurélie Peylard Gustave Moreau, Catalogue sommaire des dessins du musée Gustave Moreau Paris, 2009 |
||
Geneviève Lacambre with contributions by Larry J. Feinberg, Marie-Laure de Contenson, and Douglas W. Druick Gustave Moreau, Between epic and dream Paris, Chicago, 1999 |
Everett Fahy (ed.) The Wrightsman pictures New York; New Haven, 2005 |
||
Peter Cooke, Symbolism, Decadence and Gustave Moreau, in Burlington Magazine, 151, 2009 pp. 312-318 |
Peter Cooke, Gustave Moreau's 'Salome': the poetics and politics of history painting, in Burlington Magazine, 149, 2007 pp. 528-536 |
Rachel Sloan, Gustave Moreau and the Raffalovich family: new documents for 'Sappho', in Burlington Magazine, 148, 2006 pp. 327-331 |
Narayan Khandekar, Stephan Wolhojian and Teri Hensick, Gustave Moreau's 'Jacob abd the angel' re-examined, in Burlington Magazine, 147, 2005 pp. 253-257 |
Peter Cooke, Gustave Moreau's 'Oedipus and the sphinx': archaism, temptation and the nude at the Salon of 1864, in Burlington Magazine, 146, 2004 pp. 609-615 |
Peter Cooke, Gustave Moreau and the Reinvention of History Painting, in Art Bulletin, 90, 2008 pp. 394-416 |
Cristina Scassellati Cooke, The ideal of history painting: Georges Roualt and other students of Gustave Moreau at the Ecole des Beaux-Arts, Paris, 1892-98, in Burlington Magazine, 148, 2006 pp. 332-339 |
1997 | Orientalism. Delacroix to Klee | |
Born: | 1826 | |
Died: | 1898 | |
ULAN: | 500115776 |