Catherine Monbeig Goguel (ed.) Francesco Salviati, 1510-1563, o, La bella maniera Paris, 1998 |
Michael Jaffé The Devonshire Collection of Italian Drawings, Tuscan and Umbrian Schools London, 1994 |
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David McTavish, Nature and Art in the Early Drawings of Francesco Salviati, in Master Drawings, 48, 2010 pp. 291-314 |
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Paul Joannides , More on Francesco Salviati as a Copyist, in Master Drawings, 48, 2010 pp. 315-326 |
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Janet Cox-Rearick, Friendly Rivals: Bronzino and Salviati at the Medici Court, 1543-48, in Master Drawings, 43, 2005 pp. 292-315 |
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Catherine Monbeig Goguel, Workshop Continuity through the Generations: Bandinelli versus Francesco Salviati, in Master Drawings, 43, 2005 pp. 316-325 |
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Roswitha Stewering, The "scala amorosa" in Francesco Salviati's David Cycle in the Palazzo Ricci-Sacchetti in Rome, in Götz Pochat, Brigitte Wagner (eds.), Erzählte Zeit und Gedächtnis, Graz, 2005, pp 60-71 |
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Michael Hirst, Perino, not Salviati, in Burlington Magazine, 144, 2002 pp. 164-165 |
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Paul Joannides, Drawings by Francesco Salviati and Daniele da Volterra: Additions and Subtractions, in Master Drawings, 32, 1994 pp. 230-251 |
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Iris Cheney, Comment: The Date of Francesco Salviati's French Journey, in Art Bulletin, 74, 1992 pp. 157-158 |
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Alessandro Nova, Salviati, Vasari, and the Reuse of Drawings in Their Working Practice, in Master Drawings, 30, 1992 pp. 83-108 |
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2001 | Hartstochtelijk Verzameld - Beroemde Tekeningen in 18de-Eeuwse Hollandse Collecties | |
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