| Friso Lammertse and Alejandro Vergara, A Portrait of Van Dyck as a Young Artist, in Alejandro Vergara and Friso Lammertse (eds.), The Young Van Dyck, New York, NY, 2013, pp 23-73
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| Anne-Marie Logan, Anthony van Dyck: His Early Drawings during the First Antwerp Period, in Alejandro Vergara and Friso Lammertse (eds.), The Young Van Dyck, New York, NY, 2013, pp 75-91
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| Laura Alba, Maite Jover and María Dolores Gayo, Introduction to the Technical Studies: The Artistic Practice of the Young Van Dyck, in Alejandro Vergara and Friso Lammertse (eds.), The Young Van Dyck, New York, NY, 2013, pp 337-347
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| Walter Liedtke and Michelle Safer, Reversing the roles: Van Dyck's portrait of Lady Elizabeth Thimbleby with her sister Dorothy Savage, in Burlington Magazine, 151, 2009 pp. 79-83
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| Christopher White, A "Portrait of an Elderly Man" by Anthony van Dyck, in Master Drawings, 47, 2009 pp. 524-526
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| Linda Bauer, Van Dyck, replicas and tracing, in Burlington Magazine, 149, 2007 pp. 99-101
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| Michael Levey, Van Dyck and the motif of the broken column, in Burlington Magazine, 147, 2005 pp. 335
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| Jaynie Anderson and Carl Villis, Anthony van Dyck's portrait of Rachel de Ruvigny, Countess of Southampton, in Burlington Magazine, 147, 2005 pp. 661-667
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| Christopher Brown, 'A Record and memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession, in Marieke van den Doel, Natasja van Eck, Gerbrand Korevaar, Anna Tummers & Thijs Weststeijn, The Learned Eye, Amsterdam, 2005, pp 132-139
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| Oliver Millar, Letter to the Editor, The Van Dyck Catalogue, in Burlington Magazine, 146, 2004 pp. 553
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| Friso Lammertse, Van Dyck's Apostles series, Hendrick Uylenburgh and Sigismund III, in Burlington Magazine, 144, 2002 pp. 140-146
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| Oliver Millar, Van Dyck: horses and a landscape, in Burlington Magazine, 144, 2002 pp. 161-163
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| David Jaffé, New Thoughts on Van Dyck's Italian Sketchbook, in Burlington Magazine, 143, 2001 pp. 614-624
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| Carolyn Diskant Muir, Art and religion in seventeenth-century Antwerp: van Dyck's Mystic marriage of the Blessed Hermann-Joseph, in Simiolus, 28, 2000-2001 pp. 51-69
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| John Peacock, Lookinbg at Van Dyck's Scipio in its Contexts, in Art History, 23, 2000 pp. 262-289
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| Marieke De Winkel, Volker Manuth, 'Los Meninos' by Van Dyck?: New Identifications and Dates for the 'Palatine Princes' in Vienna, in Burlington Magazine, 142, 2000 pp. 147-156
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| Christopher Brown, Anthony van Dyck at work: "The Taking of Christ" and "Samson and Delilah", in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 43-54
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| Jeffrey M. Muller, The dimension of time in Anthony van Dyck's inventions for history paintings, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 127-138
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| Wolfgang Savelsberg, Eine "Beauty-Gallery" im Schloss Mosigkau. 12 Englische Hofdamenporträts nach Anton van Dyck in der Sammlung einer Anhalt-Dessauischen Fürstentochter, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 185-204
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| Jeremy Wood, Van Dyck's 'Cabinet de Titien': the contents and dispersal of his collection, in Burlington Magazine, 132, 1990 pp. 680-695
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| Michael Jaffe, Van Dyck's 'Venus and Adonis', in Burlington Magazine, 132, 1990 pp. 697-703
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| Christopher Brown and Nigel Ramsay, Van Dyck's collection: some new documents, in Burlington Magazine, 132, 1990 pp. 704-709
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| David Howarth, The Arrival of Van Dyck in England, in Burlington Magazine, 132, 1990 pp. 709-710
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| Egbert Haverkamp-Begemann, Van Dyck and "The Brazen Serpent", in Master Drawings, 28, 1990 pp. 296-302
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| Hans Vlieghe, Theodoor Rombouts en zijn gezin geportretteerd door Van Dijck, in H. Blasse-Hegeman, E. Domela Nieuwenhuis, R.E.O. Ekkart, A. de Jong, E.J. Sluijter (eds.), Nederlandse portretten, 's-Gravenhage, 1990, pp 145-157
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| Justus Müller Hofstede, Neue Beiträge zum Oeuvre Anton van Dycks, in Direktor des Wallraf-Richartz-Museums (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1987/88, pp 123-186
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| Joaneath Spicer, Unrecognized Studies for Van Dyck's "Iconography" in the Hermitage, in Master Drawings, 23/24, 1985 pp. 537-544, 590-594
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Margaret Roland, Van Dyck's Early Workshop, the Apostle Series, and the Drunken Silenus, in Art Bulletin, 66, 1984 pp. 211-223
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| I.H.v.E., Pieter Stevensz van Gunst en zijn gravures naar portretten van Van Dijck, in Maandblad Amstelodamum, 52, 1965 pp. 22-23
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| C.H. d. G., Het portret van Stevens door A. van Dijck in het Mauritshuis, in Oud Holland, 34, 1916 pp. 68
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| Arthur Leveson Gower. Esq: F.S.A., The (so-called) Sheffield portrait by van Dijck in the Royal Picture Gallery at the Mauritshuis in the Hague, in Oud Holland, 28, 1910 pp. 73-76
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| Dr. E. Waldmann, Zu einem Portrait von Anth. van Dyck, in der Gemäldegalerie in Cassel, in Oud Holland, 25, 1907 pp. 204-210
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