Henry Raeburn (1756 - 1823)
Scottish portrait painterArticles on Henry Raeburn
| Stephen Lloyd, Introduction. 'Indiscriminate praise is little better than censure': Critical Contexts for Understanding Raeburn's Portraiture, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 1-31 |
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| Stephen Lloyd, 'I cannot coin money for them': Raeburn in the Nexus of Patronage, the Art Market and Global Trade, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 35-65 |
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| Helen E. Smailes, Scotland Canova and the Immortal Raeburn, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 66-96 |
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| Viccy Coltman, Raeburn's John Hope, 4th Earl of Hopetoun: The 'Knotty' Business of Portrait Painting in London and Edinburgh in the 1810s, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 97-121 |
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| Godfrey Evans, In the Shadow of Jacques-Louis David's Napoleon: The 10th Duke of Hamilton and Raeburn, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 122-152 |
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| Stana Nenadic, Raeburn and the Print Culture of Edinburgh, c. 1790-1830: Constructing Enlightened and National Identities, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 153-175 |
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| Nicholas Tromans, A Portrait of the Artist in London: The Critical Reception of Raeburn's Royal Academy Exhibits, 1792-1823, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 179-207 |
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| Robyn Asleson, Raeburn in America: Scottish-American Art Networks, 1791-1845, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 224-257 |
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| Sarah Symmons, Raeburn and Goya: The Redefinition of Artistic Personality, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 258-285 |
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| Matthew Craske, Raeburn's First Biography: Allan Cunningham's Presentation of the Artist as a Model Scottish Gentleman, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 289-313 |
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| Jordan Mearns, 'Synonymous with manly portraits': Re-evaluating Raeburn's Women, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 314-334 |
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| Olivier Leslay, Raeburn and France, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 335-350 |
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| David Alexander, Raeburn and the Revival of Mezzotint Portraiture, 1890-1930, in Viccy Coltman and Stephen Lloyd (eds.), Henry Raeburn, Edinburgh, 2012, pp 351-366 |
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| Duncan Thomson, Raeburn revisited: the 'Skating minister', in Burlington Magazine, 149, 2007 pp. 185-190 |
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| Duncan Thomson, Sir Henry Raeburn: An Introduction to his Art and Life, in Duncan Thomson, Raeburn, Edinburgh, 1997, pp 11-28 |
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| Nicholas Phillipson, Manners, Morals and Characters: Henry Raeburn & the Scottish Enlightenment, in Duncan Thomson, Raeburn, Edinburgh, 1997, pp 29-38 |
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| John Dick, Raeburn's Methods and Materials, in Duncan Thomson, Raeburn, Edinburgh, 1997, pp 39-45 |
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