Provenance
Commissioned, with three other paintings, by Jacob de Flines (1657-1714), Herengracht 132, Amsterdam, c. 1683
his daughter, Elisabeth de Flines, with the house at Herengracht 132, Amsterdam
her children and granddaughter, with the house at Herengracht 132, Amsterdam; from whom, fl. 36,300, with the house at Herengracht 132, Amsterdam to Joan Scherenbergh (1680-1753)
his daughter, Maria Scherenbergh (1709-63), with the house at Herengracht 132, Amsterdam
her son, Joan Frederik d'Orville (1732-1809), with the house at Herengracht 132, Amsterdam
purchased by Robert Daniel Crommelin (1741-1808), with the house at Herengracht 132, Amsterdam
his son, Claude Crommelin (1769-1824), with the house at Herengracht 132, Amsterdam
his son, Claude Daniel Crommelin (1795-1860), with the house at Herengracht 132, Amsterdam
his son, Claude August Crommelin (1840-74),with the house at Herengracht 132, Amsterdam
his stepsister, Elisabeth Maria Weymar (?-1902), and her husband, Julius Hendrik Tutein Nolthenius (1824-89), with the house at Herengracht 132, Amsterdam
their daughter, Alida Maria Tutein Nolthenius (1855-1910), and her husband, Ir. Rudolph Peter Johann Tutein Nolthenius (1851-1939), with the house at Herengracht 132, Amsterdam
by whom removed from the house, before 1910
from whom on loan to the Rijks Academie voor beeldende kunsten te Amsterdam, 1921
by whom donated to the Rijks Academie voor beeldende kunsten, Amsterdam, 1929
transferred to the museum, 1971