6 | | Ann-Sophie Lehmann, How materials make meaning
|
|
28 | | Michaele Tomasi, Matériaux, techniques, commanditaires et espaces, Le szstème des retables à la chartreuse de Champmol
|
|
56 | | Kim Woods, The Master of Rimini and the tradition of alabaster carving in the early fifteenth-century Netherlands
|
|
84 | | Aleksandra Lipinska, Alabastrum, id est, corpus hominis, Alabaster in the Low Countries, a cultural history
|
|
116 | | Koenraad Jonckheere, Images of stone, The physicality of art and the image debates in the sixteenth century
|
|
148 | | Ralph Dekoninck, Between denial and exaltation, The materials of the miraculous images of the Virgin in the Southern Netherlands during the seventeenth century
|
|
176 | | Thijs Weststeijn, The gender of colors in Dutch art theory
|
|
202 | | Nadia Baadj, A world of materials in a cabinet without drawers, Reframing Jan van Kessel's The four parts of the world
|
|
238 | | Martha Moffitt Peacock, Paper as power, Carving a niche for the female artist in the work of Joanna Koerten
|
|
266 | | Frits Scholten, Malleable marble, The Antwerp snow sculptures of 1772
|
|