6 | | Herman Roodenburg, Ten geleide
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13 | | Ethan M. Kavaler, Being the Cout of Nassau, Refiguring identity in space, time and stone
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53 | | J. Woodall, 'His Majesty's most majestic room', The division of sovereign identity in Philip II of Spain's lost portrait gallery at El Pardo
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105 | | Walter S. Melion, 'Self-Imaging and the engraver's virtù: Hendrick Goltzius's Pietà of 1598'
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145 | | Marieke de Winkel, 'Eene der deftigsten dragten', The Iconography of the Tabbaard and the Sense of Tradition in Dutch Seventeenth-century Portraiture
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169 | | Ann Jensen Adams, Civic guard portraits: private interests and the public sphere
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199 | | Irene Groeneweg, Regenten in het zwart: vroom en deftig?
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253 | | Elizabeth Honig, The beholder as work of art, A study in the location of value in seventeenth-century Flemish painting
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299 | | Mariët Westermann, Jan Steen, Frans Hals, and the edges of portraiture
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333 | | Stephanie S. Dickey, 'Met een wenende ziel... doch droge ogen', Women holding handkerchiefs in seventeenth-century Dutch portraits
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369 | | H. Perry Chapman, Jan Steen as family man, Self-portrayal as an experiental mode of painting
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395 | | Wayne Franits, Young women preferred white to brown, Some remarks on Nicolaes Maes and the cultural context of late seventeenth-century Dutch portraiture
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417 | | Herman Roodenburg, 'Welstand' en 'wellevendheid', Over houdingen, gebaren en gelaatsuitdrukking in de schilderkunst, de toneelkunst en de rhetorica: de inbreng van het classicisme
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