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O. Naumann,
Frans van Mieris the Elder (1635-1681), Doornspijk, 1981 |
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Christopher Brown,
Images of a Golden Past, New York, 1984 |
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J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering,
A Corpus of Rembrandt Paintings, , 1982- |
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inl. door E. de Jongh,
Tot lering en vermaak, Amsterdam, 1976 |
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Peter C. Sutton,
Pieter de Hooch, Oxford, 1980 |
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F.W. Robinson,
Gabriel Metsu (1629-1667), New York, 1974 |
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E. de Jongh,
Portretten van echt en trouw, Zwolle, 1986 |
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Wayne Franits,
Paragons of Virtue, Cambridge, New York, Melbourne, 1993 |
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Simon Schama,
The Embarrassment of Riches, New York, 1987 |
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Hans-Joachim Raupp,
Untersuchungen zu Künstlerbildnis und Künstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim, 1984 |
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Scott A. Sullivan,
The Dutch Gamepiece, Totowa, 1984 |
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F.W.H. Hollstein,
Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam, Roosendaal, 1949- |
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Seymour Slive,
Frans Hals, London, 1970-72 |
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Christopher White,
The Dutch Pictures in the Collection of Her Majesty The Queen, Cambridge, 1982 |
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S.J. Gudlaugsson,
Geraert ter Borch, Den Haag, 1959-1960 |
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Eddy de Jongh,
Zinne- en minnebeelden in de schilderkunst van de zeventiende eeuw, s.l., 1967 |
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B. Schnackenburg,
Adriaen van Ostade, Isack van Ostade, Hamburg, 1981 |
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Peter C. Sutton (ed.),
Masters of 17th-century Dutch landscape painting, Boston, 1987 |
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David R. Smith,
Masks of Wedlock, Ann Arbor, Michigan, 1982 |
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Jakob Rosenberg, Seymour Slive, E.H. ter Kuile,
Dutch Art and Architecture, , 1966 |
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