11 | | Jacques Bos, Between physiognomy and pathognomy: theoretical perspectives on the representation of characters and emotions in the seventeenth century
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25 | | Ulrich Heinen, Stoisch Sterben lernen - Rubens' Memorialbild auf Justus Lipsius und Philip Rubens
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69 | | Bert Watteeuw, Een neus voor kunst. De Antwerpse liefhebber Jacomo de Cachiopin (1591/92-1659) en zijn collectie
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101 | | Jan Dequeker, A physician's view beyond the curtains of seventeenth-century Flemish and Dutch baroque portraits
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109 | | Rudie van Leeuwen, The portrait historiƩ in religious context and its condemnation
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125 | | Daantje Meuwissen, 'According to old custom'. The seventeenth-century portrait series depicting the land commanders of the Teutonic Order of Knights, Utrecht Bailiwick
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141 | | Karolien De Clippel, Naked or not? Some thoughts on nudity and portraiture in seventeenth-century painting
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165 | | Rudi Ekkart, De herontdekking van het portret van de familie Van Mierevelt
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175 | | Bert Timmermans, (Family) portraits in the contruction of a visual family tree and a social identity. Anticipating the aspirations of elite clientele in seventeenth-century Antwerp
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193 | | Ann Jensen Adams, The performative portrait historiƩ
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217 | | Jeffrey Muller, The importance of place in Pieter Thys's group portrait of the wardens of the Holy Sacrament Chapel in St. Jacob's Church, Antwerp
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229 | | Zirka Z. Filipczak, Portraits of women who 'do not keep strictly to the Masculine and Feminine Genders, as they call them'
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249 | | Katlijne Van der Stighelen, 'Amoris et doloris monumentum'. Portraits and how they were perceived in the baroque age
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