| vi | | George David, Sponsor's Statement
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| vii | | John Leighton, Philippe de Montebello, Directors' Foreword
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| x | | Colta Ives, Susan Alyson Stein, Sjraar van Heugten, Marije Vellekoop, Preface and Acknowledgments
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| 3 | | Colta Ives, Out of Line: How Van Gogh Made His Mark
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| 21 | | Susan Alyson Stein, The Paper Trail: From Portfolios to Posterity
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| 41 | | Sjraar van Heugten, Metamorphoses: Van Gogh's Drawings Then and Now
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| 56 | | Sjraar van Heugten, The Dutch Years, 1880-85
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| 122 | | Sjraar van Heugten, Antwerp and Paris, 1885-88: The Academy and the Avant-Garde
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| 144 | | Susan Alyson Stein, Arles, 1888-89: The Synthesis
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| 147 | | Susan Alyson Stein, First Encounters
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| 164 | | Colta Ives, A Visit to the Sea
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| 189 | | Colta Ives, Summer Harvest
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| 222 | | Susan Alyson Stein, Figure and Portrait Drawings
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| 236 | | Colta Ives, The Heights of Montmajour
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| 248 | | Colta Ives, Gardens, Parks, and Byways
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| 266 | | Susan Alyson Stein, Répétitions: Drawings after Paintings
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| 278 | | Susan Alyson Stein, Drawing to a Close
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| 294 | | Marije Vellekoop, Saint-Rémy, 1889-90: Taking Asylum
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| 330 | | Marije Vellekoop, Auvers, 1890: Return to the North
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| 348 | | Marjorie Shelley with scientific analysis by Silvia A. Centeno, Technical Studies: Observations on the Drawing Materials Used by Van Gogh in Provence
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