| xi | | Alice Beamesderfer, Gail Harrity, Foreword
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| xiii | | Alice Beamesderfer, Looking Back and Beyond
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| 1 | | Joseph J. Rishel and Katherine Sachs, The Making of an Exhibition
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| 19 | | Adrianne O. Bratis, Chronology
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| 43 | | Robert Storr, La Famille Cézanne
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| 55 | | Richard Shiff, Lucky Cézanne (Cézanne Tychique)
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| 103 | | Yve-Alain Bois, Cézanne and Matisse: From Apprenticeship to creative Misreading
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| 137 | | Joop M. Joosten, Cézanne and Mondrian: "A New Way to Express the Beauty of Nature"
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| 159 | | Joseph J. Rishel, Cézanne and Hartley: On Sacred Ground
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| 185 | | Christopher Green, Cézanne and Léger: Realizing New Sensations
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| 207 | | John Elderfield, Picasso's Extreme Cézanne
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| 257 | | John Golding, Cézanne, Braque, and Pictorial Space
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| 279 | | Mark D. Mitchell, A New Tradition: Cézanne, Demuth, and the Invention of Modern Watercolor
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| 307 | | Anabelle Kienle, Cézanne and Beckmann: "A Powerful New Pictorial Architecture"
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| 327 | | Albert Kostenevich, Liubov Popova: From Cézanne to Utopia
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| 351 | | Jennie Hirsh, For the Love, and Fear, of Painting: Cézanne, Morandi, and Italian Modernism
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| 381 | | Carolyn Lanchner, Cézanne and Giacometti: An Odd Couple
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| 407 | | Michael R. Taylor, Learning from "Papa Cézanne": Arshile Gorky and the (Self-)Invention of the Modern Artist
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| 433 | | Katherine Sachs, Cézanne and Kelly: Painting Form through Color
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| 463 | | Roberta Bernstein, Cézanne and Johns: "At Every Point in Nature There Is Something to See"
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| 491 | | Katherine Sachs, Cézanne and Marden: The Almost Perfect Painting
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| 511 | | Jean-François Chevrier, Jeff Wall: Within the View(ing), or The Spirit of Place
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