| 5 | | Karolien De Clippel, Katharina Van Cauteren & Katlijne Van der Stighelen, Introduction
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| 11 | | Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt
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| 35 | | Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy
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| 51 | | Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe
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| 65 | | Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory
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| 83 | | Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries
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| 97 | | Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands
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| 109 | | Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature
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| 117 | | Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting
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| 131 | | Fiona Healy, Male Nudity in Netherlandish Painting of the Sixteenth- and Early Seventeenth- Centuries
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| 159 | | Marie Geraerts, Rubens's Feast of Venus Reconsidered. The Turning of Hearts to or from Love? Sensuality of Virtue?
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| 181 | | Katharina Van Cauteren, L'Honneur Animant la Beauté: Hendrick De Clerck's Diana Paintings for the Archdukes Albert and Isabella
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| 201 | | Karolien De Clippel, Altering, Hiding and Resisting. The Rubensian Nude in the Face of Censorship
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