| ix | | Hugh Dunthorne, Michael Wintle, Preface
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| xvii | | Bob Moore, Ken Haley: an appreciation
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| 3 | | Michael Wintle, Britain, Belgium and the Netherlands and the historical imagination in the nineteenth century: an introduction
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| 19 | | Niek van Sas, From Waterloo Field to Bruges-La-Morte. Historical imagination in the nineteenth century
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| 45 | | Andrew Mycock, A very English affair? Defining the borders of empire in nineteenth-century British historiography
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| 67 | | Marnix Beyen, Who is the nation and what does it do? The discursive construction of the nation in Belgian and Dutch national histories of the romantic period
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| 87 | | Ellinoor Bergvelt, The colonies in Dutch national museums for art and history (1800-1885)
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| 113 | | Joep Leerssen, 'Retro-fitting the past': literary historicism between the Golden Spurs and Waterloo
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| 133 | | Joanne Parker, The Victorians, the dark ages and English national identity
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| 151 | | Anna Vaninskaya, 'A true conception of history': 'Making the past part of the present' in late Victorian historical romances
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| 171 | | Jenny Graham, Picturing patriotism: the image of the artist-hero and the Belgian nation state, 1830-1900
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| 199 | | Tom Verschaffel and Saartje Vanden Borre, A few painters, a few heroes and many factory workers: in search of the historical culture of Belgian immigrants in Northern France, 1950-1914
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| 219 | | Hugh Dunthorne, 'Retracing the history of our country': national history painting and engraving in Britain and the low countries in the nineteenth century
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